Archive for the ‘Imbolc’ Category

Waxing Towards Samhain: Altars Everywhere

You can feel it, can’t you? The approach of the next of the Great Eight festivals, the holy tide of Samhain. Or across the hemispheres, the advent of Brighid’s day of Imbolc. Fire festivals, both of them. Opportunities for a “deep dive” inward, if you so choose.

Or maybe your inner senses just aren’t tuned to such things. Not a problem. Imagine what it feels like, the energies swirling and eddying around this time. Or if you have a photo of a beloved ancestor, or an object which that ancestor once held, you’ve got a different kind of connection.

Suggestions for where I can purchase an altar? posted a new Druid on a Druid forum. The responses tended toward the repurposed and well-loved piece of furniture. Discarded, scratched and refurbished, that tabletop, desk, nightstand, shelf. One commenter noted, “Half my house is now an altar” with niches and corners lovingly adorned with figures, stones, feathers, driftwood, sacred objects. The cast-off, hand-me-down, yard sale. And out of doors, the sawn-flat stump in the woods, or the stone the septic company excavated while locating your tank, or the natural crook or niche where a tree-trunk meets the ground.

Those blessed with outdoor space in a yard may have room for a permanent circle, or simply an open patch of grass, or a small corner walled on two sides by fencing, where a small figure peeps through the foliage.

The full moon last night and tonight can be a potent altar, as can the human heart, open and listening. Each ritual we do erects an altar in spirit, leaving an imprint in consciousness we can strengthen and reaffirm each time we bring it to mind, or repeat the ritual, each time we gather again in a beloved circle of Others, whether they have their skins on or not.

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Welcome to our newest visitor from Mauritius.

Brighid’s Moon

28 Jan. 2021 Full Moon

A blessed Imbolc to you!

It’s Brighid’s Moon, this month of transition, north and south, east and west.

In our perhaps too-precise modern world, we note that the full moon came a few days “before” Imbolc (Lunasa, and Lugh’s Moon, to friends Down Under). But it feels likely that in pre-modern times the full moon and the festival would take place at the same time. After all, why not?!

Yes, timing matters a lot, and also not a bit, for such things.

For anyone inclined to notice the moon at all, a full moon is a wonderful link to others around us. Look up and you know that almost everyone on the planet who also bothers to look can see the moon in her shining splendor within the same 24-hour period, unless the skies are cloudy. (Then we can feel the moon.)

In her Celtic Devotional Caitlin Matthews notes this is a splendid season to remember and celebrate the “midwives of the soul”. Wise counsel indeed! I’m a member of a genealogy site that you can set to email you reminders of ancestors’ birthdays, weddings, etc. — I find it’s a good way to pause several times a month (depending on how detailed your family tree is) and consider the lives of those who’ve gone before me, walking this human path through their own times of challenge and blessing. (One of my grandmothers 6 generations back died at 19 while giving birth to her third child — a brief life, but also one that led to many descendants, including me. As someone who suspects reincarnation in some form accounts for a great deal of the rebalancing in our lives over the long term, I also imagine that soul returning generations later, possibly through a “descendant doorway” which that previous and painfully short lifetime made possible. Our lives belong to, and shape, a far wider circle than we often know.)

Brighid of the Snows, Brighid of the Full Moon, Patron of poets, smiths, healers …

I’m spending half this afternoon apologizing to ghosts, writes John Murillo in one of his poems in Up Jump the Boogie. It’s what we may find ourselves doing, if we’re mindful about the past, the present, our own struggles. In another poem Murillo says, like all bards, This poem is a finger pointing at the moon … You big dummy, don’t look at my finger, I’m trying to show you the moon. I fill up yet another blogpost with words, still trying, fumblingly, awkwardly. We celebrate Imbolc with an OBOD ritual, or alone, silently, offering droplets of wine to the full moon. We bring in snowmelt and offer it at Brighid’s altar.

On Sunday evening, five of us in Vermont gathered via Zoom to celebrate using the OBOD solo rite for Imbolc. The solo rites parallel the group ones, but they’re less formal, more inward-looking, more flexible for whoever shows up. We assign roles on the spot, do some spontaneous rearranging or improvising where necessary, honoring the spirit of the rite. We’ve been doing this since for more than six months now, after a hiatus when it looked like our seed-group might not endure. Mystic River Grove, active now for over 30 years, holds its rituals online with a few dozen attending each time.

As I often do, I find ritual both intermittently frustrating and unexpectedly moving. One of our members with an inerrant ear for poetry usually has something to read for us which captures the thread and flame at the heart of the ritual, the core experience of gathering to honor the season. This time she read from Robert MacFarlane and Jackie Morris’s The Lost Spells, the second book of poems to emerge from the decision a few years back by Oxford University Press to remove words naming the natural world from a popular children’s dictionary. One reviewer of MacFarlane’s book (and apparently not a regular reader of poetry) complains, “Since when is a poem a spell?” When, we might all reply, oh when has it ever been anything else?

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“There was never”, says Walt Whitman, “any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now”.

If that’s true, it’s both bad and good news. Bad, because wow! I really need to apologize to my ghosts, my ancestral heritage. Good, because I don’t need to: I have what I need right now, just as they did and do.

On its website, OBOD offers a guide called “Treasures of the Tribe: Guidelines for OBOD Seed Groups and Groves” that anyone can download as a PDF. In addition to being a fund of hard-earned wisdom about the dynamics of groups, and an insight into the feel of the OBOD “style” and its flavor of Druidry, it offers an excellent seed for meditation and reflection and conscious action:

A useful question to ask, when difficulties arise, is: ‘Is there a gift here, trying to manifest itself?’ or: ‘What is it that is seeking transformation?’

That is a gift for any season.

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Artful Answers

Many of you may know author and artist Julia Cameron, whose The Artist’s Way and associated books have justifiably won her devoted readers. Here’s her entry for January 26 in The Artist’s Way Every Day*:

“Art is a form of the verb “to be.” It is not mere cleverness to point this out. At its core, life is artful and creative, each moment contains choice as much as each brush stroke in a painting, each syllable in poem, each note in a melodic line. It is because of this, its insistence on choice, that art demolishes the victim position. When bullying life demands of us some injustice: “You want to make something of it?” the artful answer is yes.

What will I make of it? The challenge for anyone alive is to re-win this artful approach every day. When I managed to center myself in it yesterday, felt its truth in my marrow, and marveled at the doors opening because of it, I sleep and wake and there it is to be re-won the next day. Now if I make a practice of it, a momentum builds over time that I can draw on — water from a well. Some days it does indeed come easier. Almost without effort there are days when I can slip back into the pose, the stance of it, like a martial arts kata. Ah, there it is again, my blood sings.

And Druidry is simply one way to do this, among many. One of the signal advantages of Druidry is that it hauls around substantially less baggage than many older spiritual paths. What was once an artful answer in many traditions has too often solidified into dogma. You must believe it, rather than practice it to find out if in fact it actually works for you. And if it doesn’t work for you, you’re bad, evil, lost, sinful, worthless, a loser, trash, garbage, rubbish, broken, useless — take your pick of abuse. Many of us have.

An artful way can be a long one. In truth it should be a long way — a lifetime’s way. Because in the end it’s the only way survivors end up traveling, each in her own way. Not my way or the highway — nothing like that. No, you find what works for you. Something is always coming to birth within us. No one else can do that work for me. Others can cheer me on, and I love them for that. They can walk with me part of the way, and I’ll cherish them for their company. They can write blogs and books, offer workshops, help us rekindle the fire when it’s fallen to ashes. They can sing to us, feed us, hold us when we cry, and remind us You got this.

Druidry from its early modern re-conceptions has (mostly) tried to be artful. Rather than a doctrine, it offers a toolkit, a spice-rack, a palette of colours. Rather than a creed, it offers songs, images, magic. Rather than priests, it offers bards. If it has weaknesses (and of course it does), one that comes to mind is a lack of spiritual guidance for those truly floundering and struggling. We have only to look at the prevalence of mental illness today and realize how many of us are suffering. Yes, individual Wise Ones can be found here and there — their own small local groups and groves know who they are. And while they can indeed offer wise counsel and compassion, most have no professional training in working with deep-seated and chronic problems. That time may come, but it is not yet now. The current stigma doesn’t cloak immorality, like it used to do. The current stigma instead clouds and paints mental illness with a most destructive brush. In a world already increasingly isolated by covid, the people who most need the rebalancing that often comes with human connection are deprived of just that necessity. Zoom and Skype and Facetime only take us so far.

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A strength of Druidry, one that’s often held out to people, is that it makes no requirements about beginning. You start where you are, with the circumstances you find yourself in. Yes, it’s true that as with internet forums, the requests for help that are often most successful are those that show the petitioner has put forth some effort already. That’s all the Druidry asks — that you actually try out some of its practices. Not believe what some of its spokespeople try to conceptualize on the basis of their experiences, but begin with my own practices that will lead to my own experiences. Then, when I come across the beliefs and concepts of others, I can begin to perceive something about the experiences that underlie them — because I’ve experienced some version of the same thing.

The tolerance that comes with that kind of recognition also gives us a place to start to work with others that springs from an inner authority others recognize. We can honor and respect another’s understandings because we’re still working on our own — in the same way. We refer it back to experience. The Land teaches me something new each season, though I’ve “been through” all four seasons many times already. My dreams show me wisdom in part because I’ve listened to them in the past. I look forward to celebrating Imbolc because I know that once again I’ll discover something valuable about Brighid, about the day, about my fellow Druids if I’m on Zoom, about early February in my particular place, whether I’m in a group or solitary.

The tree is silent because that’s the only way I can hear what it’s saying.

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*Cameron, Julia. The Artist’s Way Every Day: A Year of Creative Living. Tarcher/Penguin, 2009.

Imbolc in the Belly

I don’t know about you, but I often have a gut feeling about the seasons. Two weeks out, as you keep reading me write here. Around two weeks before one of the “Great Eight” festivals looms on the earth’s calendar, the coming celebration begins to kindle little fires in my peripheral vision. Imbolc, Imbolc. We notice things, it seems to us, simply because they’re notice-able, but our noticing makes them also makes them more pronounced, more prominent, more accessible to our awareness.

It’s a common enough experience: get a new car, a new dog, a new god, and suddenly you notice them all around you. This should (re)alert us to our realities. We’re seekers of saliency — biologists and psychologists try to keep this fact (a whole level of irony in that) in our awareness. “I’m going to pay attention to whatever stands out for me in my world, because that’s obviously what matters”. Yes — but hard and fast on the tails of that comes a potent corollary: what do I want to discover? What do I choose to empower with my attention? And what am I pushing away and refusing and denying, because it doesn’t fit — because it may well bring (the horror of it!) change. Answering such questions is enough to keep a Druid up nights.

I’ve learned to tell when things are stirring because I start to get snarky.

“But I don’t believe in _____ “. Doesn’t matter. Or at least it doesn’t matter that much right now. Invite some direct personal experience into your life, and what you believe may take a holiday, or hibernate, or explode. Or stay exactly the same. You said you were looking for some excitement, right? Time to spin the Belief Roulette wheel. Why not? We do it with absolutely every other part of our lives. Why should our beliefs be exempt? After all, they’re often the least reliable part of us. When I’m kissing an attractive Other, their lips matter a lot more than their beliefs. Kiss a god three times and watch your beliefs do a backflip.

Google the word Imbolc for its origins and you’ll get a range of learned and folk opinion. The possible meanings can each lead to fruitful meditation and ritual. Old Irish i mbolc, modern Irish i mbolg, “in the belly” — the soon-to-be-born lambs of the season. Oimelc, an alternative name dating from the 10th century, meaning “ewe’s milk”. Old Irish imb-fholc, “to wash or cleanse oneself”, consistent with this festival of purification. English Candlemas, St. Brighid’s Day. A holiday dating “from the Neolithic period”, Wikipedia tells us, with overlays and cultural additions over time, making for a splendid richness and depth.

Go outdoors, after or before you’ve Googled, or instead, and if you’re in the Northeastern U.S. you probably see new snowfall.

Back yard, 10:16 am this morning.

I can learn at least as much Druidry exploring the transformed landscape as I can pondering the possible origins of the word Imbolc. If you live in a different climate, the same holds true. Maybe not today, but yesterday, or tomorrow.

A lovely example of our Druidry at work and play, from an online post: Want to celebrate this snowy landscape, invite something of what’s happening to earth, trees, and sky into our homes? Bring in some snow, melt it, and water the houseplants and pot-herbs with it, a winter’s blessing. Make tea or coffee with it. Save some to asperge the house with on Imbolc, or ceremonially deploy it during your Zoom ritual.

Your song and my song of Imbolc may be different, winter-song, desert song, sea-shore song, tropical song. What matters is that we listen and hear them and sing them, aloud or silently.

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Greetings to Peru, newest visitor according to both the Flag Counter and WordPress analytics. Imbolc and Lunasa, Lugh and Brighid, linking the holidays as our planet is linked …

What It’s All For, Part 157

“Why am I dealing with these things now, at 71?” a dear older friend asked recently. “Couldn’t I have tackled it earlier along the way?” After a pause, he answered his own question: “But I didn’t have the necessary perspective any sooner than this to handle what I discovered about myself, and about the work I needed to do”. I spiral like we all do, when I think I’m merely circling. Last year, this year, next year. More of the same old thing, or something new, unexpected, challenging. Often both together. Arms of the spiral.

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Silver-white back yard, 11:42 am EST, 10 Feb 2020

Anyone who’s read this blog for any length of time knows my focus rests primarily on the inner texture and quality of my journey. Among other things, I’m a Druid, and sometimes I’ll post about a more outer-facing “Druid” subject — a sacred grove, an altar, images from a group ritual I took part in. But mostly I write about aspects of my own spiritual growth, or lack of it; about my questions, doubts, strategies, techniques, discoveries — things I hope are also useful in some degree to anyone who practices a spiritual path over time. Especially after the initial gloss has worn off, the honeymoon is past, the foothills are behind you, and the first outlines of your life’s work present themselves. And usually not in a form you expect, or even recognize right away.

This is the point when I find it’s often fitting to laugh helplessly, laugh so hard you end up gasping for breath. Or maybe it’s not fitting, but I do it anyway. Because you can’t take yourself too seriously. (Well, of course you can, and we all know those who do, but they’re often not the easiest people to be around. By the grace of forbearing friends and family, may I learn to grow out of my own vanity. If you’ve been with this blog long enough, you know most of what we work on falls into two categories, ego project or container issue.)

Enough of you recognize something of your own experience in what I write here that you keep coming back. Or at least you find the spectacle of my journey entertaining, because in fact it’s nothing like yours at all. You’re crafting a wand, planting a sustainable garden, protesting inert government officials to get off their asses, raising children to honour the earth and each other, or you’re single, widowed, newly launched into a different life than you foresaw, but living your path as best you can, in all its singular beauty and strangeness, in churches, temples, bedroom shrines, backyard altars, cathedrals of trees, holy places of the heart. You belong to a god or gods, or you’re non-theistic, you know the signs and songs and pass-words of your beliefs and practices and community, even if they no longer describe you fully, or maybe especially if they do.

Or you’re undergoing your own inner apprenticeship, something near-impossible to talk about, even with dear friends, and especially with family, who are often the last to know, or to come to grips with how dear Sue or Bill or Jimmie has “changed” and grown into something exotic and possibly uncomfortable and maybe more than a little threatening to an old dynamic that no longer works for all the people it used to link and to explain to each other. Or you’re bound firmly, as far as you can tell, in a circle that for whatever reason you need to stay in for now, in order to survive at all.

All you know, to quote that Victorian or maybe Edwardian novel, is that for your family, you are no longer PLU — “People Like Us”. Elvis has left the building. The horses have broken through the fence and gallop, heedless of human cries, across the plain and away.

Or you’re not changing. Everything and everyone else has changed. You’re becoming more of who you’ve always been. Why can’t they see that?!

Right in the midst of such tumult, it can feel like the very last thing that’s happening is “what it’s all for”. Instead it feels the exact opposite of that. Let the dust settle and the rubble stop bouncing, though, and a different outline can begin to emerge.

(Try to map spiritual geography most people will recognize and you miss the mark 50% of the time. Still, in baseball, that’s a mightily impressive record.)

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I know now that what it’s really all about is the white rabbit.

hare2

My mother’s elder sister gave me this porcelain hare when I was seven. We’d visit her just once a year, for a long weekend — my mother and I traveled to Iowa most springs to stay with that side of the family. I remember thinking some seven-year-old boy version of “But I can’t play with it — it’s too delicate”. It was a “shelf-sitter” for sure, but even then it carried a charm it’s never lost for me. Its pinkness never bothered me as “girly” or wrong for a boy (I shot the image above on a pink towel to emphasize the painted highlights). For all I know the figure was a commonplace object several decades ago — some of you may have one just like it sitting on a mantle. But all I knew then was that someone had entrusted me with a delicate object, one valuable for its own sake, not for what I could do with it. It arrived, as such gifts sometimes can, at a moment when I could appreciate it.

In all the many moves of my life — at last count, 22, including to and from China, Japan, Korea, and six states in the U.S. — it’s traveled without damage. I thought of it for a long time as an Easter rabbit — not THE Easter Rabbit, but a rabbit associated with springtime. Now it’s an Imbolc hare as well.

Blessings of Imbolc
hare to you, warmth of white fur
soft as dream, close as the dreaming sky
against your skin. Grace of paws
in the snow to you, delicate toes,
each touching with its own print.

Blessings of animal presences to you.
Alertness of hare to you, ears pointed
towards the awen, that whisper
each of us hears, time’s changes tumbling
round us. Fleet foot of the hare
to you, the answering dance of hare,
a dive into a burrow, or a mad dash
(dash of the Mad March hare, a month early)
for the nearby hedge and through,
through to all the bright fields opening beyond.

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Posted 10 February 2020 by adruidway in Druidry, hare, Imbolc, magic, spiral

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Making the Most of “Magic Sunday”

Here we are, on an excellent day to test our actual as opposed to our rationalized beliefs: It’s “Magic Sunday”. What’s that, you ask (if you haven’t already read the day’s numerological clickbait)?

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A “sugar-shack”, New England Imbolc — the start of maple syrup making

Whether you deploy the European sequence of day-month-year, or the North American one of month-day-year, today is 02-02-2020. A palindrome, the same sequence backwards and forwards. You can read more about it in the middle-market, slightly left-leaning USA Today. (I monitor a range of about a dozen papers spanning the political spectrum. Leftist hysteria balances rightist hysteria, sort of like stomach acid and an antacid, except not.)

After reading the article, ask yourself: do you feel your mood or perspective even slightly altered, knowing the rarity of a palindrome date like today’s 02022020 sequence last occurred some 900 years ago? (See Palindrome Daypalindrome date.) Of course, if you keep reading, other similar dates loom in the next two years. Anticlimactic?

Try doing a task today, specifically focusing on the rarity of the date as a source of empowerment — even, or especially, if you don’t believe in such things.

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Now add to this the celebration of today, at least in North America, as Groundhog Day (No shadow! Early Spring! Go, Punxsutawney Phil!). And Imbolc. Does that change anything for you?

The foregoing is an illustration of our varying susceptibility to what’s been called “magical thinking”.

I find the term less than useful, because it’s often disparaging: irrational, superstitious, and so on. Instead, let’s look at all such things simply as inputs. Inputs surround us continuously: the weather, our diet, home, job, nationality, other affiliations, memberships and identities both chosen and inherited. What do we grant access to our mood, attitude, perspective, belief system, emotions? What operates largely below our level of awareness, as a sort of background hum? What do we resolutely shut out so decisively that it can gain little traction with us (even if it impinges subconsciously)? Do we even know?

Take it as a “Druid challenge”, or a bit of research, a holy ritual, a game — whatever makes it useful and engaging to you.

And if so inclined, try a form of alchemical magic most everyone uses — coffee, or a little sugar, in the form of maple products, sweets, cookies, candy — to satisfy that midwinter carbohydrate craving — and give you a “magical” sugar or caffeine buzz. Now that you’ve magicked yourself, explore what comes next.

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Image: Wikipedia sugar-shack.

Welcome, Brighid

Often, simple is best.

Mantle of Brighid about me,
Memory of Brighid within me,
Protection of Brighid around me
keeping me from harm,
from ignorance, from heartlessness,
this day and night,
from dawn till dark,
from dark till dawn.

— John O’Donohue (adapted), The Four Elements, Transworld Ireland, 2010, pg. 109. (Also available in Random House editions.)

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Crafting Brighid’s crosses. Photo courtesy Gerfalc Hun.

Outdoor Imbolc, Mystic River Grove:

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Outdoor rite. Photo courtesy F. Hanks.

May you be forged anew, inspired and healed.

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Posted 1 February 2020 by adruidway in Brighid, Brigid's cross, Druidry, Imbolc

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Flame, Holy and Mundane

Much of Paganism is defining spaces, places and the awareness we bring to them. At its heart it’s a kind of continual prayer: O let me wake into the holy in every moment.

This is sacred time, go the words of standard OBOD ritual. This is sacred space. We name it to remind ourselves, to evoke it through intention and attention, but also to recognize what’s already there. We can create sacred space because sacred space shapes us from birth. It’s our heritage, our birthright, unless we give it away.

So we call it back.

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With Imbolc a little over a week away, those who honor Brighid find themselves turning even more closely to her presence and influence. Year-round already and always, yes, for those who revere her, but also more keenly when her festival nears.

“We are entering the dark half of the year”, writes Teo Bishop in a post for the Autumn Equinox, “and now more than ever is the moment to engage with your daily practice”.

(When isn’t it the moment to engage? I don’t know about you, but my “dark half of the year” doesn’t politely wait for September. You’re no doubt tired of my repeating this theme of the need for a practice. Please understand: with a blog I have built-in reminders and prompts for my own practice. If I’m not practicing, the words don’t come easily. Blogging is one of my spiritual barometers. It’s also a prod in the behind. By posting fairly regularly, I also get to check in on my worlds, I’m reminded to listen to where I need to open up to the holy energies we all bathe in each day.)

“One of the most common responses I see to the idea of developing a daily practice”, Bishop continues, “is that there is no time. This assumes that a practice must be a long, complicated ritual, full of gestures and ritual phrases. It paints a practice as yet another way that the struggle of our day to day life is a weight on our shoulders.

But the daily practice can be framed another way.

Let it begin with something small. Light a candle, take one, deep breath, then extinguish the flame.

That’s all.

It won’t take but a second”.

In that second the Holy Flame expands to fill our consciousness — or it can, if we permit it. A simple practice that goes far to making a seemingly-mundane moment a sacred one.

ADF ritual puts out the sacred fire at one point, describing it this way:

Extinguished without
but burning within.
The living fire flames within us.

In Working the Tool-kit, I wrote:

Fire work, or apprenticing yourself to the element … can begin with a fire pit, or candle-lighting, if an outdoor fire isn’t practical for you. From such simple work with each of the Elements, a profound and beautiful practice can grow over time. This is also one of the freedoms in which a Druid can wholeheartedly participate in a Christian or Jewish service, in part through some of its seemingly “smallest” ritual gestures and events.

Or as mage and author Josephine McCarthy describes it,

My deepest personal experience of that is with the lighting and tuning of the candle flame. The intent to light a candle to prepare the space for a ritual act developed from that simple stance, to an act of bringing into physical manifestation an elemental expression that lights through all worlds and all times: it becomes the light of divinity within everything (J. McCarthy. Magical Knowledge, pg. 70).

As a focus for meditation, for out-of-body work, for reverence, for kindling the spirit in times of heaviness and despair, fire has no equal.

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Brighid so beautifully merges sacred and profane, because her triad of aspects, as goddess of smithcraft and the forge, of bardic inspiration and the awen, and of healing and the vital flame, all circle around holy fire. Lighting a candle can be purest prayer.

It’s very old, this focus on fire. (Focus itself is an old word for “hearth” or “altar”. We make an altar of what we focus on). We read in the Rig-Veda 1.26.8, “For when the gods have a good fire, they bring us what we wish for. Let us pray with a good fire”.

One way to understand this passage, of course, says simply that “if we build it, they will come”. On occasion that’s exactly right. Dedication is its own reward. Often, though, the arrival of gods lies in our building — the impulse to light the fire, the desire for kindling light and flame, is itself divine presence.

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Damh the Bard’s beautiful prayer-song to Brighid begins:

There’s a tree by the well in the woods that’s covered in garlands,
Clooties and ribbons that drift in the cool morning air,
That’s where I met an old woman who came from a far land,
Holding a flame o’er the well, and chanting a prayer.

Devotion has put the clooties and ribbons there. Devotion allows the encounter with the old woman. Who is it that’s “holding a flame o’er the well”? The singer, yes. The old woman, too. And both at once. I increase my chances of holy encounter when I sing a prayer with a flame. “For where two or three are gathered together in my name, there am I in the midst of them”, says the Divine Son and Sun. First, we need to gather. When I’m aware of that Other, the flame kindles.

Damh continues:

She told me she’d been a prisoner trapped in a mountain,
Taken by the Queen of Winter at Summer’s End,
But in her prison she heard a spell the people were chanting,
Three days of Summer, and snowdrops are flowering again.
She spoke of the Cell of the Oak where a fire is still burning,
Nineteen Priestesses tend the eternal flame,
Oh but of you, my Lady, we are still learning,
Brighid, Brigantia, the Goddess of Many Names.

Part of our human magic is to participate with the divine in making holy — sanctifying, hallowing the time and space. We can never reduce it to rote: “Oh but of you, my Lady, we are still learning”. The gods “switch us on” when we devote ourselves to their holy fire. But we do the same for them. Rarely will they force open a door we keep resolutely shut.

Where is the fire still burning?

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Seven Flames for Meditation

1) What does it take—literally and intentionally—in order to kindle you, and in order for you to kindle other things in your life?

2) What offering, if any, do you make to help you kindle? What else could you bring into your practice? What could you discard?

3) What is sacred to you? How do you find, invite, welcome, increase the sacred? What sacred ways are a part of your life right now that can help you kindle?

4) What ways, if any, do you tend to discount, push away, ignore, or feel “aren’t my way of connecting with the sacred”? What can you learn from your attitude towards them?

5) Where are you already kindled? What is burning, warm, or fiery in your life right now?

6) Where do you desire kindling? (Where do you need to bank a fire and cool off?!) Or to put it another way, what needs to catch fire in your life?

7) How has sacred fire already honored your practice and now flames inwardly for you?

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Image: Pexels.com

Flavors of Druidry

This is a brief post to celebrate flavors of Druidry elsewhere. Below, a shape of awen formed of human shadows — photo by Welsh Druid Kristoffer Hughes.

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Australian Druids just celebrated Lughnasadh, and Serpentstar, the free OBOD newsletter for Australia, has just published its most recent issue — you can read it online or download it as a PDF here. Lovely images and articles offer a glimpse of the Land and Druids Down Under.

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Cornwall actively promotes its language and culture, and that includes Cornish Druidry. Here’s a prayer to Brighid in Cornish, with an English version, from Trelawney Grenfell-Muir:

brighid-cornish

Brigid a’n Kugoll, gwra agan kyrghynna.
Arlodhes an Eyn, gwra agan kovia.
Gwithyades an Oeles, gwra agan enowi.
Yn-dann dha gugoll, gwra agan kuntelles,
Gwra agan daswul dhe gov.

Brigid of the Mantle, encompass us,
Lady of the Lambs, protect us,
Keeper of the Hearth, kindle us.
Beneath your mantle, gather us,
And restore us to memory.

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Imbolc in the Snow

After the recent frigid temperatures in New England and across many of the northern states, 34 F/1 C earlier today felt positively balmy. Here are some friends and I (to the right) sitting in a cleared circle in the snow round an Imbolc fire. (The smartphone camera makes it look like we’re wearing acorns on our heads.)

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photo courtesy Spring K.

Little wonder, given how appealing the orange flames are, that words for fire, hearth and focus/focal point are connected in many of the Romance languages: Spanish fuego, French feu, Portuguese fogo, Italian fuoco, all from Latin focus “domestic hearth” which includes among its senses “house, family”. With a fire we’re halfway home — a house at its most basic is a roof and walls around a fire, where a family may flourish, conserving its vital heat.

Meeting Merlin at a remote inn on a winter day, King Arthur in Mary Stewart’s The Last Enchantment strides in and exclaims to the inn-keeper, “Wine we will not wait for, nor fire”. Warmed by these two essentials, a mortal can begin to consider other matters. And perhaps sense the spring-tide slumbering beneath the snows, sure as the sky, still waiting.

Praised be Brighid: “Goddess of fire, Goddess of healing, Goddess of Spring, welcome again!”*

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*Damh the Bard — “Brighid”.

Posted 3 February 2019 by adruidway in Brighid, Damh the Bard, Druidry, Imbolc

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Imbolc Blessings to You

Keeping the cold at bay with our trusty woodstove has taken most of my energies over the past several days, so I’m simply reposting six previous meditations on Brighid for this Imbolc 2019. [Note: These appear in reverse chronological order.]

The Enchantments of Brighid

Brighid: Druid and Christian

Moon of Brighid

Nineteen Days of Brighid

Brighid of the Snows

Mantle of Brighid about Me

And of course the exquisite song by Damh the Bard in honour of the goddess:

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Posted 1 February 2019 by adruidway in Brighid, Damh the Bard, Druidry, Imbolc

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Enchantments of Brighid

One of the Enchantments of Brighid is openness to possibility. The goddess specializes in healing, poetry and smithcraft — skills of change, transformation and receptivity to powerful energies to fuel those changes and transformations. We seek inspiration and know sometimes it runs at high tide and sometimes low. As this month draws to a close, we have a moon waxing to full, an aid from the planets and the elements to kindle enchantments, transformations, shifts in awareness.

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A day ago we finished a box of wooden matches. The box holds 250, and since we use them only for lighting our stove, that means we go through just part of a box every year. Emptying a box doesn’t happen that often, so it’s noticeable.

I like the imagery of the “empty” box. Though combustible itself, its main purpose is to contain matches and provide a strike surface. An old box has a worn strike surface, and one might be tempted to toss the whole thing in the fire. But I’m keeping it for these 19 days of Brighid, and it occurs to me now that it deserves a place on my altar. The sacredness of the everyday? Well, where else can the holy mystery abide in the worlds of matter, energy, space and time. As a friend likes to say, a mest (or messed) world can be a good and powerful stage for life and joy to happen.

Not to stretch things too far — how far is that, anyway? — I am a box, and so are you. Our spaces can hold all manner of things, and it’s our intention that determines what those might be. Insubstantial in itself, the box is nevertheless a potential locus for fire and mystery, or scores of other things. We take from the box a mood or a match, strike it and lay it to paper and kindling. We don’t create the fire, but without the box, the match, the intention and the movement to bring fire and kindling together, we don’t get flames.

To me the empty box is a “found” spiritual tool (my favorite kind), one I can work with physically and also in the imagination from where magic pours forth. Kitchen magic, or woodstove magic, if you will. What belongs inside it? What are some of the matches I wish to light? Where do I find them? (Where have I found them in the past? What new sources of them open up each day?)

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On a small piece of paper I write a prayer to Brighid, and I fold and close it in the box.

Brighid: Druid and Christian

[Edited/updated 1 Feb 2019]

We could subtitle this post “Druidry — the Ironic Survival”. Philip Carr-Gomm notes in his book Druid Mysteries:

Although Christianity ostensibly superseded Druidry, in reality it contributed to its survival, and ultimately to its revival after more than a millennium of obscurity.  It did this in at least four ways:  it continued to make use of certain old sacred sites, such as holy wells; it adopted the festivals and the associated folklore of the pagan calendar; it recorded the tales of the Bards, which encoded the oral teachings of the Druids; and it allowed some of the old gods to live in the memory of the people by co-opting them into the Church as saints.  That Christianity provided the vehicle for Druidry’s survival is ironic, since the Church quite clearly did not intend this to be the case (p. 31).

Sacred sites, festivals and folklore, tales of the Bards, and the old gods: there you have the substance not only of Druidry but also of Druid and Christian linkages and considerable common ground.

Do we need all four to practice Druidry, or to honor Brighid?

Yes. We already have all four, to a degree that allows us to build on what we have, if we choose. While guided tours to sacred sites continue to make money for their organizers, we can gain access inwardly, through dedicated practice.

How?

On the day before the 19 Days of Brighid, we have many points of access, if we’re willing to explore them with attention, creativity and love.

1) Kildare is Cill Dara, “Church or Cell of the Oak”. Find an oak tree or leaf. “As above, so below. As within, so without”. Can you proceed from there? If you’ve been reading this blog, or have a practice of your own, you have an inkling or a clear idea of what you might do next. Here then is a first door to the Enchantment of Brighid.

Now for 18 more.

2) For a guided meditation, many songs exist. One I’ve posted about previously is Damh the Bard’s song “Brighid” . Enact the song, as your circumstances permit. Read through the lyrics first, or just listen through. Then do what comes to you to make the song come alive. What will you offer at the Well? If you have a bowl of water and a candle or tealight, enact the first appearance of the goddess. Say the prayer of the song’s chorus, or your own.

3) Using the help of the video in the previous post for making a Brighid’s cross, make the creation of your own cross — from reeds, strips of paper, fabric, etc. — an offering, a gift, an act of mindfulness, a devotion to Brighid.

4) Troubled by doubt? Blocked into inaction by hesitation, fear, or talking self telling you not to be ridiculous? Note the lines in Damh’s song: “But in her prison, she heard the spell the people were chanting: Three days of Summer, and snowdrops are flowering again”. The people — that’s you and me — help free her from prison. We imprison the divine, but we have the power to liberate it again in our lives. What chant comes to you? Listen for it as you go about your day, reading the headlines, listening to conversations, songs on the radio, and so on. Meditate, and write down what comes. This is a prayer the people are chanting.

5) Dance a dance you make up that has 19 steps. A circle, a square, some other shape or just steps as they come to you. Swing your arms, raise them, keep them at your sides, or clasped in prayer. Drum on a tabletop, a pot, a cup, bang two spoons together. Or step in silence. On the 19th step, say or whisper aloud or inwardly the name of the goddess. Dance when nobody’s watching. Except you and the goddess.

6) Brighid is goddess of fire. Light a flame and say “The fire is still burning. Nineteen priestesses tend the Eternal Flame. Oh but of you, my Lady, we are still learning”.

7) Educate yourself about Brighid. Here’s an easy “for-instance” — a short video (5 mins.) featuring Mary Meighan, who offers several clues to a practice.

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Brighid’s Well

8) Volunteer at a homeless shelter, dedicating the service to Brighid, an offering, a way of helping to keep the human fire kindled in others. We think of such things around the big Christian holidays of Christmas and Thanksgiving and tend to drop them from memory at other times. I’ve just sent off an email to one of our local shelters, 8 miles away, requesting info on volunteering.

9) Dedicate a practice meaningful to you for each of the next 19 full moons. Ask for insight and resolution — in exact proportion to how well you keep your practice. Ready? Set … Go!

10) Following bpott’s comment on a recent post, “[P]lay (with serious thought) with enchantment”. What does enchantment look like to you? When have you experienced moments of enchantment? How did they manifest? What was going on when they did manifest? What can you do to welcome them again?

11) Again following another recent comment by bpott, take your practice outdoors, however briefly. Especially needful in the Northeastern US, because we get serious cases of cabin fever. (Our area organizes “Cabin Fever Dinners” to bring people out of hunker-down mode and into celebration over a communal meal. One of the more popular ones in our area draws 75-100 people and is held in a local church.  Yes, plenty of non-church people attend. It doesn’t hurt that the menu and kitchen are overseen by the pastor’s husband, who’s a gourmet chef. It’s very much a Brighid experience, at least for me. Generosity, kindling the fire in others.) Enjoy the thaw that’s come to the region. And wherever you are, breathe outdoor air. Let the sun shine on your skin.

12) What can you kindle and smith, inspire and heal, in yourself and others? What wells and forges exist in your life? How can you use and serve them? What wells and forges have you possibly overlooked or taken for granted? Again, how can you serve and use them?

13) Set a dream intention each night for prophetic, healing or creative dreams. Record each morning what comes. If you think nothing came, write what you imagine coming. Read it that night before you go to sleep.

14) Choose a bowl of water or goblet, etc. as your Well of Brighid. Ask for the blessing of Brighid upon it. Drink from it each morning after sleep.

15) You visit the Fire Temple on the inner planes. What do you experience there? Write down what comes. Who greets you? What gets ignited? What gets burnt away? What kind of flame are you given to return with to your life?

16) Find a poem that inspires you. (Or write one.) Make the reading and saying aloud of the poem a practice for the 19 days. Make of your love for the poem an offering.

17) Practice intense devotion for a particular manifestation of the divine in the form of a god or goddess that draws you. In a post “Loop of Brighid: The Mysticism of Devotion“, Christopher Scott Thompson says,

Rather than talking in a hypothetical way about what the mystical experience actually is, I’m going to talk about how to get there yourself through your own relationship with the gods and goddesses you personally serve. This is not an attempt to import something like bhakti from Hinduism into modern western paganism, because devotional practice to specific deities is already naturally developing within the pagan revival. However, I will be using the concept of bhakti as an analogy for the most intense and mystical forms of modern devotional paganism, such as the mood expressed in this poem [included just above this extract in the original post].

18) Read Chris Godwin’s 19 Jan 2018 post on his blog, From a Common Well, on “18 Celtic Imbolc Customs and Traditions for the Feast of Brighid“. Choose one or more to try.

19) Give thanks to Brighid for the opportunity to give thanks. There’s a paradox and a profound insight to be practiced here.

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Image: Brighid’s Well.

 

Moon of Brighid

Brighid--Patrick Tuohy

St. Brighid/Patrick Tuohy

For those of you incubating your own enchantment of Brighid to coincide with the upcoming 19 days of the goddess, you have the moon to aid you. Waxing now, it reaches full at nearly the midpoint of the 19 days, on the 31st of January — a fine symmetry, whether you choose to align with it or not.

The Solar Question for today, the 20th of the month, in Caitlin Matthews’ Celtic Devotional (Gloucester, MA: Fair Winds Press, 2004) asks “What is the source of your spiritual guidance?” The Lunar Meditation* for the fourth day of the moon (counting the New Moon, Jan. 17,  as day 1) is “the wonder of life”. If I’m facing a period of spiritual dryness, if I have no other ready guidance, “the wonder of life” is a fitting source. Watching and listening, I can find in something small as the sun sparkling on an icicle a subtly radiant doorway into the Enchantment of Brighid.

Because magic so often starts small, no more than a tickle, a spark, a whisper. Till it builds.

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Images: St. Brighid by Patrick Tuohy (1894-1930)

*The book includes a perpetual calendar displaying the 19-year lunar cycle, allowing a reader to find the appropriate Question and Meditation.

Refreshing “Home”

Keep refreshing “home” and your browser gives you different results, your Facebook feed changes, etc., my wife said the other day.

If I’m paying attention, an inner bell goes off for me at such moments, an aha! of illumination. Spiritual practice is my way of refreshing home, of choosing — or asking for — something else than what the apparent or obvious may be telling or showing me. Some animals and insects excel in mimicry as a defense, or to lure prey. So too the human world, with its heartfelt truths and its cons, its bullshit and its profound beauties, its “characters” and “originals” and its gold standard friends.

Refreshing home is a kind of alertness that many animals retain, honed senses not dulled by noise from talking self. Don’t get me wrong — human speech is indeed a gift. But like many powerful gifts, it’s double-edged. It’s true, peace to Walt Whitman, that animals “do not make me sick discussing their duty to God … Not one kneels to another, nor to his kind that lived thousands of years ago”*

So when I write, as in the previous post, about things like devotion to Brighid, and you’re feeling particularly agnostic about, maybe, absolutely everything, consider J M Greer’s observations about egregor(e)s, the energy of group consciousness that forms around any regular gathering and gives it a distinct character, and especially around magical groups that work intentionally with charging and exploring its potentials. Is Brighid an egregor? Does your local parent-teacher association or book club or university class differ from other groups in any way? Of course. But is Brighid “merely” an egregor?

Richard Dawkins and Sam Harris and other atheists miss a very large point here. I won’t spell it out — you already know it, or else you’re not interested in knowing it.

Greer says, writing about magical lodges:

… egregors capable of carrying the highest levels of power can only be built up on the basis of the living patterns of the realm of meaning, outside space and time. These patterns are what some religions call gods, and what others call aspects of God. They have a reality and a power that have nothing to do with the egregors built up around them, but they use the egregors the way people use clothing or the way actors in many traditional societies use masks. Skillful, intelligent, ethical, and dedicated work with these egregors, according to tradition, can bring lodge members into a state of participation with the primal living powers of existence itself — a state that is the goal of most religions, and as well as the highest summit of the art of magic (Greer, Inside a Magical Lodge, Llywellyn Books, 1998, pgs. 109-110).

It’s the part of those willing to work with and within a tradition not to stop at the level of belief in it, but to test and explore its possibilities. We’re worlds away from credal faith here. But you may, if you’re around a devotee of Brighid, especially this time of year, overhear or encounter a song or poem or prayer of dedication, service, and love.

 

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*”I think I could turn and live with the animals“; Song of Myself.

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