“Why am I dealing with these things now, at 71?” a dear older friend asked recently. “Couldn’t I have tackled it earlier along the way?” After a pause, he answered his own question: “But I didn’t have the necessary perspective any sooner than this to handle what I discovered about myself, and about the work I needed to do”. I spiral like we all do, when I think I’m merely circling. Last year, this year, next year. More of the same old thing, or something new, unexpected, challenging. Often both together. Arms of the spiral.

Silver-white back yard, 11:42 am EST, 10 Feb 2020
Anyone who’s read this blog for any length of time knows my focus rests primarily on the inner texture and quality of my journey. Among other things, I’m a Druid, and sometimes I’ll post about a more outer-facing “Druid” subject — a sacred grove, an altar, images from a group ritual I took part in. But mostly I write about aspects of my own spiritual growth, or lack of it; about my questions, doubts, strategies, techniques, discoveries — things I hope are also useful in some degree to anyone who practices a spiritual path over time. Especially after the initial gloss has worn off, the honeymoon is past, the foothills are behind you, and the first outlines of your life’s work present themselves. And usually not in a form you expect, or even recognize right away.
This is the point when I find it’s often fitting to laugh helplessly, laugh so hard you end up gasping for breath. Or maybe it’s not fitting, but I do it anyway. Because you can’t take yourself too seriously. (Well, of course you can, and we all know those who do, but they’re often not the easiest people to be around. By the grace of forbearing friends and family, may I learn to grow out of my own vanity. If you’ve been with this blog long enough, you know most of what we work on falls into two categories, ego project or container issue.)
Enough of you recognize something of your own experience in what I write here that you keep coming back. Or at least you find the spectacle of my journey entertaining, because in fact it’s nothing like yours at all. You’re crafting a wand, planting a sustainable garden, protesting inert government officials to get off their asses, raising children to honour the earth and each other, or you’re single, widowed, newly launched into a different life than you foresaw, but living your path as best you can, in all its singular beauty and strangeness, in churches, temples, bedroom shrines, backyard altars, cathedrals of trees, holy places of the heart. You belong to a god or gods, or you’re non-theistic, you know the signs and songs and pass-words of your beliefs and practices and community, even if they no longer describe you fully, or maybe especially if they do.
Or you’re undergoing your own inner apprenticeship, something near-impossible to talk about, even with dear friends, and especially with family, who are often the last to know, or to come to grips with how dear Sue or Bill or Jimmie has “changed” and grown into something exotic and possibly uncomfortable and maybe more than a little threatening to an old dynamic that no longer works for all the people it used to link and to explain to each other. Or you’re bound firmly, as far as you can tell, in a circle that for whatever reason you need to stay in for now, in order to survive at all.
All you know, to quote that Victorian or maybe Edwardian novel, is that for your family, you are no longer PLU — “People Like Us”. Elvis has left the building. The horses have broken through the fence and gallop, heedless of human cries, across the plain and away.
Or you’re not changing. Everything and everyone else has changed. You’re becoming more of who you’ve always been. Why can’t they see that?!
Right in the midst of such tumult, it can feel like the very last thing that’s happening is “what it’s all for”. Instead it feels the exact opposite of that. Let the dust settle and the rubble stop bouncing, though, and a different outline can begin to emerge.
(Try to map spiritual geography most people will recognize and you miss the mark 50% of the time. Still, in baseball, that’s a mightily impressive record.)
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I know now that what it’s really all about is the white rabbit.
My mother’s elder sister gave me this porcelain hare when I was seven. We’d visit her just once a year, for a long weekend — my mother and I traveled to Iowa most springs to stay with that side of the family. I remember thinking some seven-year-old boy version of “But I can’t play with it — it’s too delicate”. It was a “shelf-sitter” for sure, but even then it carried a charm it’s never lost for me. Its pinkness never bothered me as “girly” or wrong for a boy (I shot the image above on a pink towel to emphasize the painted highlights). For all I know the figure was a commonplace object several decades ago — some of you may have one just like it sitting on a mantle. But all I knew then was that someone had entrusted me with a delicate object, one valuable for its own sake, not for what I could do with it. It arrived, as such gifts sometimes can, at a moment when I could appreciate it.
In all the many moves of my life — at last count, 22, including to and from China, Japan, Korea, and six states in the U.S. — it’s traveled without damage. I thought of it for a long time as an Easter rabbit — not THE Easter Rabbit, but a rabbit associated with springtime. Now it’s an Imbolc hare as well.
Blessings of Imbolc
hare to you, warmth of white fur
soft as dream, close as the dreaming sky
against your skin. Grace of paws
in the snow to you, delicate toes,
each touching with its own print.Blessings of animal presences to you.
Alertness of hare to you, ears pointed
towards the awen, that whisper
each of us hears, time’s changes tumbling
round us. Fleet foot of the hare
to you, the answering dance of hare,
a dive into a burrow, or a mad dash
(dash of the Mad March hare, a month early)
for the nearby hedge and through,
through to all the bright fields opening beyond.
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