(Because when I pick up what I think is just one thing, a whole universe comes with it … Most days, that’s a good thing.)
You can of course find Proto-Celtic songs and their lyrics on Youtube. (What you do when you find them is another matter.) I say “of course” because if someone’s thought it, it already exists in some form, waiting for manifestation. A magical rule I keep forgetting.
Sometimes we inherit an instrument, sometimes a longing, sometimes an echo of the words or the tune. / Me with a reconstructed Anglo-Saxon hearpa or lyre.
“The three pillars of achievement”, as the old Welsh triad goes: “a daring aim, frequent practice, and plenty of failures”. Can I “fail” in a search? Only if I “give up”. And that’s the past — it says nothing about what I may do in the future. “Work in Progress” is the only t-shirt I need …
Tolkien’s metaphor of the tower — may it live forever! — fits here. It first appears in his seminal 1936 essay Beowulf: The Monsters and the Critics*, and he was one of the critics, so he should know. You can sense it already: he was gazing at something others simply did not see. Because of him, now we do. Anyone who works in a tradition (or wants to found one) confronts these challenges.
A man inherited a field in which was an accumulation of old stone, part of an older hall. Of the old stone some had already been used in building the house in which he actually lived, not far from the old house of his fathers. Of the rest he took some and built a tower. But his friends coming perceived at once (without troubling to climb the steps) that these stones had formerly belonged to a more ancient building. So they pushed the tower over, with no little labour, and in order to look for hidden carvings and inscriptions, or to discover whence the man’s distant forefathers had obtained their building material. Some suspecting a deposit of coal under the soil began to dig for it, and forgot even the stones. They all said: ‘This tower is most interesting.’ But they also said (after pushing it over): ‘What a muddle it is in!’ And even the man’s own descendants, who might have been expected to consider what he had been about, were heard to murmur: ‘He is such an odd fellow! Imagine using these old stones just to build a nonsensical tower! Why did not he restore the old house? he had no sense of proportion.’
But from the top of that tower the man had been able to look out upon the sea.
That’s the measure I want to use: does it let me “look out upon the sea”? On the face of it, that seems quite a modest goal, nothing like the “daring aim” that the triad describes. But in a world where some people seem intent only on pushing over towers, such an aim becomes strikingly subversive — even dangerous. Look out upon the waters for yourself, and you no longer need a “secondhand sea”. You’ve seen the waves yourself, heard the crash of surf on shore, felt the spray on your skin and the billows lapping at your bare toes, tasted its metallic salt.
About “restoring the old house”: sometimes that’s not possible. Sometimes what we’re restoring isn’t anything “old” at all. Or if it is: reviving a (nearly) extinct language is an enormous undertaking — a daring aim indeed. It can be done: Cornish, Hebrew, Manx — we have evidence before us. “Is the juice worth the squeeze”? Sometimes we won’t know till afterwards. Sometimes the deed itself is enough.
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If I look at some of my own UPG, my unverified personal gnosis, like my experiences with Thecu Stormbringer, how does any of foregoing apply?
With Proto-Celtic we have considerable evidence from six Celtic languages. We have a science of historical linguistic reconstruction, tested on an increasingly widening sample of languages. We have a community, albeit small, interested in the results, whether they’re able to take part in the process or not.
The few words associated with Thecu that I’ve recovered — imagined — invented (can I always tell the difference? Can anyone?) are hardly enough to base an entire language on. Or are they? I have a friend who follows a different path, and who’s recovered? — received? — imagined? a language of several thousand words over the course of a few weeks. He uses it as a religious tongue, writes rituals in it, prays through it, writes about some of his most valued experiences with it. It continues to develop — or he keeps working at it, expanding and discovering it. For him it’s a living thing, part of his “tower”, to pick up Tolkien’s image again. The “sea he can look upon” exists in part because of that language. Validity? Authenticity? For him any answers lie in results. Such questions, he says, are theoretical beforehand, and irrelevant after. (In the process, their usually just distractions.)
Ireland — abandoned tower. Frans van Heerden / Pexels.com
“Of the old stone”, Tolkien counsels us, “some has already been used in building the houses in which we actually live, not far from the old houses of our fathers. Of the rest we can still take some and build towers …”
If we meet only silence in the face of our need, we can listen. If we listen with intention, knowing everything we bring to the moment, we may gain lyrics. From the deep I bring it, sings Taliesin. Words, after all, are one abode of the divine. And the melody? For the music, we have what awen and the gods open up for us. Where after all did our ancestors find their songs?
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Sometimes we inherit an instrument, something the longing …
*Tolkien, J. R. R. The Monsters and the Critics and Other Essays. Harper-Collins, 2007.
Many variations on the following theme exist. Socrates receives credit for it, among other thinkers. Sometimes it’s called the “Three-Way Filter”. So no, it’s not originality I’m claiming, but utility. As a simple but profound guide in these challenging times, this triad answers a deep and pervasive need. It asks us three questions, in a form so compact we can’t help but use it if we wish:
Is it true? Is it kind? Is it necessary?
Twitter would mostly dry up, if we followed this Triad. Social media as a whole would shrink to a more appropriate and sane size, and not co-opt reason and good sense. My wife and I attribute our durable marriage to both of us practicing this Triad with each other. Because where else do we live our lives most deeply except with our loved ones? If it works there, our way of life, it might even work elsewhere.
Imagine how our patterns of consumption and our interactions with others would approach something more conscious and intentional. Politics as we know it would change radically. And the shaming of others that we indulge in for not meeting standards we ourselves also fall short of would also shrink. (And again: if I can practice this with my partner whom I love, I gain skill for practicing it with others whom I may not love as much.)
Why?
Because often enough I can say “yes” to two of the three criteria. And though the song lyrics tell us “two outta three ain’t bad”, aiming for all three remains the goal. “Why not excellence?” asks ADF, one of the major Druid orders today. Why shouldn’t we aspire?!
When we push against this apparent world, and see it begin to pixelate, a new path can open for us …
It’s interesting to me that, of the three criteria, “kind” is most often the criterion that catches me. I don’t normally think of myself as a particularly heartless or cruel person, yet “kind” is often my sticking point. We reach to claim the moral high ground with “true” and “necessary”, but I end up where it’s kindness that’s lacking.
Try imagining this Triad as a political platform, I say to myself, whatever my place on the political spectrum. And if I can’t, what does that say about my politics, or about my hopes for any kind of justice?
Or as “the only morality I need”, how does it stand up? It’s remarkable how thoroughly the Triad reaches into choices, values, treatment of others — a whole range of ethical issues.
Now let’s couple this Triad with the famous Christian Triad of Jesus: I am the Way, the Truth and the Life. You can derive a whole series of useful meditations on the various pairings of the Three of Jesus with this other Three. And not just the obvious linkages, either — for instance, “Is it necessary?” is a truth we often toss aside, because in our self-indulgent age we feel justified simply if we want something. Voila — no further criteria needed! Likewise with freedom, at least in 21st-century America: if anything constrains me, it must violate my rights. Never mind that it’s good for the whole. Never mind that a whole range of behaviors are denied me, that laws constrain me and would have constrained me during most major civilizations we have knowledge of, because much of “what I want” may not be good for others. (We each have our lists.)
But is any of this Druidic? asks my pesky inner Druid. Well, consider the Instructions of King Cormac, and let me know how well this Triad of Truth, Kindness and Necessity lines up with the counsels of the King.
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Which brings us to death, which can seem a very un-Druidic subject.
First ethics, then mortality. Wow, you really know how to market yourself to your readers, and offer upbeat blogposts.
So it’s fitting that one of the most irrepressibly cheerful Druids I know should speak about death, and from daily, intimate, firsthand knowledge. Here’s Welsh Druid Kristoffer Hughes speaking on the subject on the occasion of the re-issue of his meditation on mortality, under the new title As the Last Leaf Falls. As someone who deals professionally with dead bodies and the bereaved every day, as a mortuary worker (in the States we’d say morgue), he knows the death industry firsthand.
“You can tell an awful lot about a society just by the manner they deal with the dead”, notes Kristoffer. He traces much of our contemporary Western outlook, practice and ritual to Queen Victoria, who dressed in mourning for 40 years.
Dip in at any point in this half-hour talk and you’ll gain something of value. “The medicalization of death and grief profoundly impacts all of us in the West”, Hughes says, around the 8:00-mark. “Death always brings in the big questions and the Spirit — but that is not the domain of medicine … We’ve created institutions of death whereby the indignities of death can occur without offending the sensibilities of the living. And I see that every day quite viscerally …”
At the 9:00-point, he notes “A basic anxiety runs through humanity … we are all going to die. And that sound quite depressing, doesn’t it? I might need a mouthful of gin just to offset that. But please don’t judge me. I’ve been in a morgue since quarter past 7:00 this morning”.
“Life … a terminal sexually-transmitted infection …”
“There’s no fundamental universally-correct truth that will alleviate everyone’s anxiety …”
“We need meaning … significance … transcendence … When there’s no meaning, we find people under their desks sucking on Valium the size of their heads …”
“We’re told to conform to other people’s meaning … and that can be a frightfully difficult task”.
“So often when people shine too brightly, [other] people might want them to dim their light. And I say to you never dim your light. Ever. Shine. ‘Cause that’s the purpose you are here. Your eyes are windows through which the universe experiences itself. How can you not shine? If anybody tells you to dim your lights, tell ’em to buy a pair of shades …”
Later (around 16:25) he cites Taliesin: “Know what you are when you are sleeping. Are you a body or a spirit or an occult radiance?” Sleep, he says, the “little death” we each experience every night, is a prime key to insight and awareness about what death actually is.
Re the Covid-19 virus, he says, we lack meaningful rituals to cope that we used to have. “Ritual has fractured”, says Hughes. And the emotional relocation that is grief is far more difficult to navigate. So we need new rituals to help us travel the emotional relocation of grief, of honoring the living and the life of those who’ve left.
No surprise (though I’m often slow on the uptake), after the period of inner work I detailed in the recent “Listening to Inwardness” series, that creativity should be the theme of these posts. The awen, like water, seems to follow the paths of least resistance in our lives, so for me it manifests in language creation, and in returns to themes I’ve looked at already but need to spiral with. And in physical reminders, too, as this body ages, to exercise, to eat healthy, to stretch, to listen.
And that means a challenge I’m noting for myself, even as I record it here for you: creativity left unmanifest, ignored for too long, can out itself through my weaknesses, too, amplifying them, doing a full-on “mercury retrograde” to my daily life on the spot, when a hundred little things that might go wrong will absolutely find a way to do so, if they can. If that divine energy that is creative always has got nowhere else to go, I’ll have a right royal row with my wife, stub my toe on the woodstove base, get splinters in my palm while chopping wood, break a clean plate while emptying the dishrack — all in the same morning. Like electricity, creativity will ground itself along the most direct path to earth.
Another instance of the messiness of creativity rests in our spiritual encounters and how we respond to their challenges and opportunities — to those places and moments where something rattles our cages, and with any grace induces us to sort out what’s habit and inertia and no longer helpful to our lives, and what remains valid on a new round of the spiral of our journey. Person, place or thing, it doesn’t matter: each asks us to bring the fire in us to bear on problem solving, on spiritual creativity at work in daily life — in a word, at finding joy. But ignore the lesson-opportunity-blessing, and just as with the smaller moments, so the bigger ones, as R. J. Stewart observes:
It may seem to be hardship imposed from without, almost at random, but magical tradition suggests that it flows from our own deepest levels of energy, which, denied valid expression by the locks upon our consciousness, find an outlet through exterior cause and effect (Stewart, Living Magical Arts, pg. 20-21)
Creativity is one of the most enjoyable ways to “unlock” that I’ve experienced. But it’s almost guaranteed to be messy!
I’ve posted elsewhere on this blog my own attempts to plumb some of the numinous encounters and intersections of Druidry and Christianity, a deep and rich vein to explore, as writers and teachers like John Philip Newell have done in several books.
Here’s Newell in his 2012 book A New Harmony* on the “sound of the beginning” — a pretty close description for the awen, at least as some Druids experience it:
New science speaks of being able to detect the sound of the beginning in the universe. It vibrates within the matter of everything that has being. New science is echoing the ancient wisdom of spiritual insight. In the twelfth century Hildegard of Bingen taught that the sound of God resonates ‘in every creature’. It is ‘the holy sound’, she says, ‘which echoes through the whole creation.’ If we are to listen for the One from whom we have come, it is not away from creation that we are to turn our ears, it is not away from the true depths of our being that we are to listen. It is rather to the very heart of all life that we are to turn our inner attention. For then we will hear that the deepest sound within us is the deepest sound within one another and within everything that has being. We will hear that the true harmony of our being belongs to the universe and that the true harmony of the universe belongs to us. … Everything arises from that sacred sound.
So far, so Druid. But in the same book, Newell then turns toward issues that often receive less insightful treatment in too much of Druidry. Spend time in Druid communities and you encounter firsthand what they struggle with, too: addiction, abuse, imbalance, illness, spiritual immaturity and blindness, ignorance, superstition, fear, anger. In other words, with the human weaknesses that beset every other human community.
Newell observes:
Knowing and naming brokenness is essential in the journey towards wholeness. We will not be well by denying the wrongs that we carry within us as nations and religions and communities. Nor will we be well by downplaying them or projecting them onto others. The path to wholeness will take us not around such awareness but through it, confronting the depths of our brokenness before being able to move forward towards healing. As Hildegard of Bingen says, we need two wings with which to fly. One is the ‘knowledge of good’ and the other is the ‘knowledge of evil’. If we lack one or the other we will be like an eagle with only one wing. We will fall to the ground instead of rising to the heights of unitary vision. We will live in half-consciousness instead of whole-consciousness.
Both Druidry and Christianity still tend to be “one-winged”, and in opposite ways. (That’s partly why each could learn much from the other.) To grossly over-generalize, Druids celebrate the good, and glory in images of that old Garden and those ancient Trees, while underplaying the human evils that beset Druids and their communities as much as anyone, and forestall them from entering more fully. Christians may understand and even fixate more on the evils, and have much indeed to say about sin, but underplay and even distrust the gifts and capacities, lessons and potentials of a world that can catalyze the spiritual growth and maturity they often refuse.
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Part of this particular creativity lies in the practice of listening across traditions. John Beckett writes in a recent blogpost apropos of traditions, DNA, supposed bloodlines, and their dubious guidance for “choosing your religion”:
We dream of finding a heritage that’s mine, that provides connection and meaning.
Too many of us, though, fail to understand that mine means “where I belong” and not “what belongs to me.”
Rather than looking for roots in DNA, put down roots with the land where you are: observe it, touch it, eat it. Honor the spirits and other persons who share it with you.
Or to paraphrase a certain Galilean: Why do you seek the living among the dead?
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Awen a ganaf — o dwfyn ys dygaf, says Taliesin, in his poem Angar Kyfandawt. “(It’s) the awen that I sing — (it’s) from the deep that I bring it”. (Or in my flowering Celtic ritual language, Bod an awen a canu mi, o’n duven a tenna mi.) But the bard continues (rendering by K. Hughes, From the Cauldron Born):
It’s a river that flows; I know its might,
I know how it ebbs, and I know how it flows,
I know when it overflows, I know when it shrinks …
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*Newell, John Philip. A New Harmony: The Spirit, the Earth, and the Human Soul. Jossey-Bass, 2012. Republished as A New Ancient Harmony: A Celtic Vision for the Journey Into Wholeness. Material Media, 2019.
1) I’m working my way through Caitlin and John Matthews‘ recent (2019) The Lost Book of the Grail: The Sevenfold Path of the Grail and the Restoration of the Faery Accord. When I’m finished I’ll post a review here.
Perceval à la Recluserie/Perceval at the Hermitage, XV century. Wikipedia/public domain
The “lost book” of the title is 484 lines of Old French verse from the 1200s called “The Elucidation”, which has been mostly ignored by scholars, though it serves as prologue to the works of Chrétien de Troyes , the French trouvere or troubador who can be fairly said to have launched the Arthurian tradition. Caitlin Matthews and Gareth Knight include their new joint translation of “The Elucidation” in this book.
2) Pillbug, Part 9427
This section isn’t important. You’ve got better things to do. The content has been generated from statistics caused by a wormhole in social media. OK — you’ve been warned.
Why does a post from March 2017 that’s still received no likes in the more than two and half years since it was posted show a 5-month increase in readership? (Yes, I know such things are circular — some of you will now read it merely because I mention it here. I’m trying to minimize that source of views by making you look via the Search box if you really want to read it.)
Here’s one snapshot of the stats for the post that WordPress supplies to the numbers-obsessed:
I conclude one or more the following:
+ The post conceals a vital hidden meaning, or cosmic code, that I myself don’t recognize, but that perceptive readers have detected and are studying scrupulously.
+ The post has become a loathsome example of clickbait and you’re just pranking your friends to get them to visit it, laughing maniacally when another feedback loop like this post confirms your success.
+ You’re deeply bored.
3) Like many of you, I distinctly felt the shift around the Autumn Equinox as we continue to enter more fully into the dark half of the year (the bright half for everyone down under). Now is a time of turning inward and attending to rebalancing, harvest, composting, integration and dreaming. (Or renewal, seeding and taking root, augmenting, blossoming and vision.)
I work with an aging hospice patient who’s dedicated his professional life as a doctor and medical researcher to exploring, understanding and addressing the effects of the shifts in the earth’s magnetic field, daily, monthly and seasonally, on the seasonally-sensitive among us. And that includes a wide number of us, when we assemble changing energy levels, seasonal-affectivity and other mood disorders, people sensitive to electrical storms, neuro-degenerative illness, alcoholism, Parkinson’s, schizophrenia, certain cancers, irritable bowel syndrome, residence at high latitudes, etc. One particular prescription he offers is to engage with “the meander” in all its forms: walking labyrinths, doing sacred pilgrimages, and attending to balanced meditative physical rhythms of many kinds (tai chi, etc.) to reset our internal harmonics.
4) Tarot reading this morning: hierophant (5), high priestess (2), moon (18). In the dark of the moon today, with a new moon this evening for the eastern U.S., that feels worth my attention on our sacred identities as mediators of holy energies, and the moon beginning a new cycle.
5) “Patience”, says my lectio divina for today, my holy devotions, “is the greatest discipline along the spiritual journey. By patience you can endure hardships, karmic burdens, slander, the pricks of disease and pain. Keep your focus on the goal, returning every time you swerve away”.
6) Some of my Pagan friends on social media have expressed deep delight in this over-the-top column from 26 Sept. 2019 in The Federalist, a strongly right-leaning publication. Headed by a close-up pic of climate activist Greta Thunberg, the article opens, “Climate Worship Is Nothing More Than Rebranded Paganism. We’re seeing sexualized dances, hallucinogens, worshiping nature, confessing sins in pagan animism, worshiping purified teen saints, all to promote a supposedly greater cause”.
“Where do I sign up?” wrote one of my friends.
“Ah, I’m finally starting to remember the Sixties!” wrote another.
“Aw, sh*t! I’ve been doing it wrong!” exclaimed a third.
7) In his poem “The Spoils of Annwfn” Taliesin writes:
Apart from seven, none came back up from Caer Siddi [an Underworld fortress].
I am one who is splendid in (making) fame: the song was heard
In the four-turreted fort, fully revolving.
It was concerning the cauldron that my first utterance was spoken:
It [i.e. the cauldron] was kindled by the breath of nine maidens.
The cauldron of the Chieftain of Annwfn: what is its faculty?
— Dark (ornament) and pearls around its rim–
One of several translators of the poem for a book published a little over a century ago observed that it is “one of the least intelligible of the mythological poems” (Charles Squire, “The Mythology of the British Islands”. London, 1905).
But sometimes ya just gotta run with what comes. I can always work it out later. Meanwhile, why strive to interrupt the awen as it flows, issuing from the Deep (one of the meanings of Annwfn) within us?
Want a good overview of the awen in the life of another Druid? Don’t just take my word for it. Read Druid-in-two-traditions Dana Driscoll’s account here. [I’ve written about it, among other times, here and here.]
Looking for the lost melody of your life? For that sense of spiritual freedom you may have touched as a child? For the heart-song that so often eludes us in the busy-ness of 21st century living?
If there’s such a thing as a “container” for the awen, beyond the bodies of all things, it’s the Celtic Cauldron, proto-grail, womb, goddess symbol, under- and other-world vessel, humming on the edges of our awareness. To participate in its sound is to begin to manifest some of its properties. Put myself in sympathetic vibration with it, and I discover its powers of transformation. It accomplishes change through vibration — no surprise, when we know that every atom of the cosmos vibrates at its own particular frequency. That’s also part of why every major spiritual tradition on the planet includes chant, song, mantra, spoken prayer. The whole thing sings. When the bard Taliesin exclaims in one of his poems, “The awen I sing, from the deep I bring it”, he points us toward the pervasiveness of awen, its habitation in the heart of things, its flow through us, both lesser and greater, as we sing, and bring.
Dana observes, “One of the most simple things to do is to invoke Awen regularly as part of your practice.”
A tangent. An article from a few days ago somewhat ruefully acknowledges that there’s actually a specific day — January 17 — when Americans see many of their New Year’s resolutions fail. (Your own culture, if you’re not a Yank, may exhibit lesser or greater persistence.) Since we seem to addicted to bad news these days, feel free to indulge here in some delicious negative thinking, if you wish. But then read closer: “Contrary to widespread public opinion, a considerable proportion of New Year resolutions do succeed,” notes a psychology professor in the article. Even at the 6-month point, according to studies, some 40% of resolutions — and their “resolvers” — stick with it. While the data pool may well need refining, still, that’s an astonishing figure. Better than the best baseball average. While “two outta three ain’t bad”, as the Meatloaf song tells us, even “one outta three” is pretty damn good, in so many human endeavors. And if you’ve read this blog for a while, you know my strategy for success with resolutions. Start so small that it’s next to impossible not to begin. “Oh, anyone can find 30 seconds a day”.
And this holds true with so many practices, spiritual or otherwise. A habit is simply an expression of equilibrium. The resistance to change is the resistance of all set-points and stasis and inertial systems — their first “response”, if we think of them for a moment as conscious beings, is to absorb the new thing rather than change on account of it. It’s a survival mechanism, after all, evolved over eons, to prevent dangerous over-reactions and hyper-compensations to what are often only temporary blips in the environment. We can’t afford to be thrown off by “every little thing”.
Why would this apply to something like the awen, a pervading cosmic sound and vibration? It’s already flowing through us, at a sustaining level, keeping us alive, the heart beating, the electrical system of the body sparking along. But upset that equilibrium unwittingly, kick the carefully calibrated network of bodily systems, and you risk the same thing rash occultists and yogis do when they raise the kundalini unprepared, force their way onto the astral plane too abruptly, shift the body’s and psyche’s equilibria by force of will, and then face all the unexpected consequences — illness, accident, poor judgment, disharmony — all the attendant symptoms of dis-ease, of a complex equilibrium under abrupt, too-rapid or even violent change.
So I begin small, and gradual, and see how it goes, if it’s worthwhile, if it adds to and builds on my life — as I already live it. This latter point is keenly important, I find. And I encourage you to try the awen, or — if you’re drawn elsewhere — its kin in other traditions. (Maybe one living near you: Om, Hu [link to an mp3 sound file], etc.) Give it a year of serious practice, and I will personally guarantee positive change, or your karma back. Other practices have their established value, but sacred sound is special.
The “rewards” of such a practice are not always easy to “calculate”. (Revealing that we even use such language). But practice, as you’ll discover, opens many doors we didn’t even know were there. As OBOD Chosen Chief Philip Carr-Gomm notes,
Try opening to Awen not when it’s easy, but when it’s difficult: not when you can be still and nothing is disturbing you, but when there’s chaos around you, and life is far from easy. See if you can find Awen in those moments. It’s harder, much harder, but when you do, it’s like walking through a doorway in a grimy city street to discover a secret garden that has always been there – quiet and tranquil, an oasis of calm and beauty. One way to do this, is just to tell yourself gently “Stop!” Life can be so demanding, so entrancing, that it carries us away, and we get pulled off-centre. If we tell ourselves to stop for a moment, this gives us the opportunity to stop identifying with the drama around us, and to come back to a sense of ourselves, of the innate stillness within our being. And then, sometimes, we are rewarded with Awen at precisely this moment.
“The Holy Grail won’t go away” — and for very good reasons.
Smithers, Lorna. The Broken Cauldron. Norfolk, UK: Biddles Books, 2016.
Change the names, goes the old Latin tag from Horace, and it’s a story about us.
Smithers, a Lancashire awenydd, poet, blogger at Signposts in the Mist, and devotee of Gwyn ap Nudd, has mediated in her latest book a challenging prophetic vision of psychic and environmental shattering in the image of the Cauldron, that ancient and present manifestation of birth, wisdom and regeneration. Spiritual vessel, military-industrial grail, the Cauldron contains both dream and nightmare.
Through prose retellings of Celtic myth and legend, through poems that grapple with this world and that Other that has always deeply haunted us, Smithers links voices, times and places. She revisits the central Druidic myth: Gwion Bach’s transformational encounter with — and theft of — the Three Drops of Inspiration. Holding it up for careful scrutiny, she underscores its immense cost to species and planet. In one retelling she speaks in the voice of Ceridwen’s grotesque son Afagddu, “Utter Darkness”. It is for him that Ceridwen has set the Cauldron brewing in the first place, hoping for his transformation, posting the hapless Gwion to tend it. In a painfully apt contemporary twist, Gwion’s a negligent employee at a chemical plant, daydreaming through a reactor disaster, though acquitted in the subsequent court case.
But Afagddu’s gifted with his own preternatural wisdom, knowing Ceridwen still apologizes for him, even as she dreams of him “suave, clean-shaven, the head of the company in a priceless suit with ironed-in creases” (pg. 74). How we persist in our stubborn lusts and blind dreams.
The five subtitled sections of the book capture something of its span: “The Broken Cauldron and the Flashing Sword”, “Ridiculous”, “Drowned Lands”, “Operation Cauldron” and “Uranium”.
What will we do, we whose minds are “shrunken and empty of gods”? Smithers’ patron deity accuses us all in the person of Arthur, whose profaning raids on the Otherworld have gained humanity a magical treasure, true, but loosed a devastating tide of death. In a triad of admonition to human raiders on Annwn, the Otherworld, Gwyn ap Nudd declares: “Lleog, lay down your sword. Taliesin, cast your mind from praise poems. Arthur, be true to your bear-skin past, hear your bones and the star of the north” (pg. 10).
Listen to our bones, heed the stars: a quest each of us may still accept or decline.
For it is the Otherworld that restrains the increasingly violent rebalancing we have brought on ourselves. And it is there we find “a cauldron that is whole and filled with stars, the infinite reflection of the womb of Old Mother Universe” (pg. 7).
As a solitary, Smithers turns here from a mythos that has long troubled her. She declares her preference for Afagddu, refusing “complicity in the mysteries of Taliesin” whose limitless hunger to despoil and pillage and consume “can only lead to the world’s end” (pg. 8).
It lies in grappling with the double edged-ness of the “flashing swords” of the raiders on Annwn, I would add, that we may at last learn wisdom. Can we learn to gauge and compensate for both gain and cost? Whether we do or no, the Otherworld will assert its balance. A unique book.
J3D — “Just Three Drops” — is shorthand for the experience of Gwion Bach, the servant boy in the Welsh story who tends the cauldron of transformation for … how long? Yes, perhaps you’ve already guessed it — a year and a day. The magic brewing in the cauldron is, alas, destined for another, and Gwion is sternly charged to keep the fire carefully. Never let it die out. Always maintain a steady flame. Haul wood, carry water. Be sure the contents continue to simmer and seethe and stew as they slowly wax in power.
After Gwion faithfully tends the fire for that long, sooty and tedious year of drudgery, at last the mixture nears completion. One day the cauldron boils up, spattering a little, and three drops spill onto Gwion’s hand, burning it. Instinctively he lifts the burn to his mouth to soothe it. Voila! In that moment he imbibes the inspiration, awen, chi, spirit, elemental force meant for another, and so begins the series of transformations that will make him into Taliesin, Bard and initiatory model for many Druids and others who appreciate good wisdom teaching.
An accident? Has Gwion’s year of service led to this? Was it sheer luck, a “simple” case of being in the right place at the right time? Does blind chance govern the universe? (Why hasn’t something like this happened to ME?) Is the experience repeatable? Where’s a decent cauldron when you need one? Can I get those three drops to go? J3D caps, shirts, towels, belt-buckles on sale now! Buy 3 and save.
J3D in some ways can mislead you. “Visit us for your transformational needs. Just three drops, and you too can become a Bard-with-a-capital-B!” The ad seduces with the promise of something for almost nothing. (May the spirits preserve us from clickbait Druidry!) Such glibness leaves out the inconvenient preparation, the lengthy prologue, the awkward context, the unmentioned effort, the details of setting everything depends on. (Doesn’t it always?) It’s true: Just three drops are all you need, AFTER you’ve done everything else. They’re the tipping point, the straw that moved the camel to its next stage of camel-hood. J3D, J3D, J3D! The crowds are chanting, they’re going wild!
Curiously, J3D is a key to getting to the place and time where J3D’s the key. It’s the sine qua non, the “without which not,” the essential component, the one true thing.
Fortunately, the way the universe appears to be constructed, we can locate, if not the ultimate J3D, still very useful versions of it, tucked away in so many nooks and crannies of our lives. If I didn’t know better, I’d even suspect that the universe in its surprising efficiencies has shaped every environment for optimum benefit of the species that have adapted themselves to live there. Which means pure change and perfect intention are pretty much the same thing, depending on the local awen you’re sipping from. Paradox is the lifeblood of thinking about existence. Or as one of the Wise once put it, the opposite of an average truth may well be a falsehood. But the opposite of a profound truth is often enough another profound truth.
When the first glow is gone, the spark has dimmed, the lustre has worn off, you’re probably at the first drop. When any possibility of an end has faded from sight, when you’ve forgotten why you’re doing it and you’re going through the paces out of what feels like misplaced devotion or pure inertia, if you even have enough energy to stop and think at all, you’re likely in the neighborhood of drop 2. When you’ve given up theories, regrets, anger, hope, denial, bargaining, and grief itself, and you simply tend that fire because you’re able to tend that fire, and lost in reverie you feel a sudden burning, the third drop announces itself.
At that point the experience may well appear as three quick drops in succession, erasing any memory of the earlier drops, the practice for the final event, slog to get to that point. Or the long intervals between each drop find themselves renewed, deepened, intensified in the pain the third drop brings. Somehow, though, all that has gone before either falls away, or the pain of change is so intense it fills your whole awareness, crowding out all else, a white and scalding fire from horizon to horizon. Or in a vast hall of silence, the only sound is a whisper of the soft flesh of your hand soothed by tongue and lip. Then you know the transformation is upon you.
The Awen I sing,
From the deep I bring it,
A river while it flows,
I know its extent;
I know when it disappears;
I know when it fills;
I know when it overflows;
I know when it shrinks;
I know what base
There is beneath the sea.
Oh, Taliesin, how do you know these things? I say to myself. How is it you enchant yourself into wisdom?
I have been a multitude of shapes,
Before I assumed a consistent form.
I have been a sword, narrow, variegated,
I have been a tear in the air,
I have been in the dullest of stars.
I have been a word among letters,
I have been a book in the origin.
OK, you know it because you’ve been it, I say to myself and the air.
When I sing, I hear a music that both exists and does not exist until I open my mouth. We create in the moment of desire and imagination. “From the deep” we bring things that flow like rivers while we sing. But before the song, or after?
Contrary to what I may think in the moment, so many things are matters of doing rather than believing. Challenges behave much the same as joys. When I’m afraid, I have a chance to show courage. What else does courage mean but to be afraid — and to attempt the brave thing anyway?
And when I sing, that takes a kind of courage too. I mean by this that singing when the sun shines is easy enough. Necessary, too. A gift. But singing in the dark, singing in pain, singing in uncertainty — or singing in joy when joy itself is suspect and the times are bad — there’s a song of power Taliesin would recognize.
The Awen I sing,
From the deep I bring it.
Another tool for my tool-kit. Sing it and you bring it. Make it come true when before, without you, it not only hasn’t yet arrived, it won’t and can’t arrive until you do.
Persistence, and its twin patience, may be our greatest magic. Sacred writings around the globe praise its powers and practitioners. So it’s hardly surprising, here in the too-often unmagical West, with its suspicion of the imagination, and its demand for the instantaneous, or at least the immediate, that we are impatient, restless, insecure, harried, stressed, whiny, dissatisfied and ungrateful. We bustle from one “experience” to the next, collecting them like beads on a necklace. The ubiquitous verb “have” leaves it mark in our speech, on our tongues: we “have” dinner, we “have” class or a good time, we even “have” another person sexually, and one of the worst sensations is “being had.” We do not know self-possession, so other things and people possess us instead.
The “slow food” movement, the pace appropriate for savoring, craftsmanship, care, reflection, meditation and rumination (slow digestion!) all run counter to the ethos of speed, promptness, acceleration that drive us to a rush to orgasm, speeding tickets, the rat race, stress-related illness, and so on. None of these problems or the observations about them are new, of course. But we remain half-hearted in our efforts or understanding of how to “pursue” their remedy. We chase salvation as much as anything else, as a thing to collect or gather or purchase so we can be about our “real” business, whatever we think that is. Spirituality gets marketed along with orange juice. For a sum, you can be whisked off to a more exotic locale than where you live your life, spend time with a retreat leader or guru or master or guide, and “have” (or “take”) a seminar or class or workshop.
Anyone who has adopted a spiritual practice and stuck with it has seen benefits. Like regular exercise, it grants a resilience and stamina I can acquire in no other way. I sit in contemplation and nothing much happens. A week or a month goes by, and my temper might have subtly improved. Fortunate coincidences increase. My dream life, or a chance conversation, or a newspaper article, nudges me toward choices and options I might not have otherwise considered. But usually these things arrive so naturally that unless I look for them and document them, I perceive no connection between spiritual practice and the increased smoothness of my life. From a slog, it becomes more of a glide. But the very smoothness of the transition makes it too subtle for my dulled perceptions at first. It arrives naturally, like the grass greening in the spring, or that gentle all-day snow that mantles everything.
I abandoned a particular daily practice after many years, for complicated reasons deserving a separate post, and I needed only to read the notebooks I kept from that earlier time to recall vividly what I had lost, if my own life wasn’t enough to show me. My internal climate faced its own El Nino. I was more often short with my wife, mildly depressed, more often sick with colds, less inspired to write, less likely to laugh, more tired and more critical of setbacks and annoyances. Set down in writing this way, the changes sound more dramatic — didn’t I notice them at the time? — but as a gradual shift, they were hardly noticeable at any one point. I still had my share of good days (though I didn’t seem to value them as much), and my life was tolerable and rewarding enough. “But I was making good money!” may be the excuse or apology or justification we make to ourselves, and for a time it was true enough of me. Then came the cancer, the near-breakdown, the stretch of several years where I seemed to move from doctor to doctor, test to test, treatment to treatment. If you or anyone you know has endured this, you get what I’m talking about. It’s distinctly unfun. And while I won’t say lack of practice caused this, it’s an accompanying factor, a “leading indicator,” a constituent factor. Doctors might very profitably begin their diagnoses with the question, “So how’s your spiritual practice?” Our spiritual pulse keeps time with our physical lives. They’re hardly separate things, after all. Why should they be?
In the story of Taliesin I mentioned in my last post, the boy Gwion, so far from the future Taliesin he will become, is set by the goddess Cerridwen to watch a cauldron as it cooks a magical broth meant to transform her son Afagddu, a mother’s gift to her child. A year and a day is the fairy-story time Gwion spends at it. A full cycle. The dailiness of effort and persistence. The “same-old,” much of the time. Gwion’s a servant. The cauldron sits there each morning. The fire beneath it smoulders. Feed the fire, stir the liquid. It cooks, and Gwion “cooks” along with it, the invisible energy of persistence accumulating as surely as the magical liquor boils down and grows in potency. Through the spring and summer, insects and sweat. Through autumn and winter, frost and chill and ice. The cauldron has not changed. Still at it? Yes. The broth slowly thickens as it bubbles and spatters.
One day a few drops (in some versions, three drops) fly out onto one of Gwion’s hands, burning. Instinctively he lifts the hand to his mouth, to lick and soothe it with his tongue. Immediately the magic “meant for another” is now his. He did, after all, put in the time. He sat there daily, through the seasons, tending the cauldron, stirring and keeping up the fire, swatting insects, breathing the smoke, batting sparks away, eyes reddened. Yes, the “accident” of the spattered drops was at least partly the result of “being at the right time in the right place.” It is “luck” as well as “grace,” both operative in his life. Part, too, was the simple animal instinct to lick a burn. And the greater portion was the effort, which catalyzed all the rest into a unified whole. Effort, timing, luck, chance, grace: the “package deal” of spirituality.
And the consequence? For Gwion, his growth has just begun. It is his initiation, his beginning. In his case it distinctly does NOT mean an easier path ahead for him. In fact, just the opposite — more on that in a coming post.
The Hopi of the American Southwest call their ritual ceremonial pipe natwanpi, “instrument of preparing.” The -pi suffix means a vehicle, a means, a tool. Tales like this story of Gwion can become anatwanpi for us, if we choose — part of our preparation and practice, a tool, a way forward.
Those inclined to criticize contemporary Druidry have made much about how the specific practices and beliefs of ancient Druids are forever lost to us simply because they left no written records, and because the references to Druids in the works of classical Greek and Roman authors are mostly based on secondhand accounts and sometimes markedly biased. Without such historical continuity, they claim, it is impossible to be a “real” Druid today, and thus all contemporary Druidry is a kind of whistling in the wind, at best a version of dress-up for adults. But what such writers and speakers often forget is the surviving body of legend, myth, teaching and wisdom in Celtic literature. Here is Druidry in compact and literary form, meant to be preserved as story, a link-up with the perennial wisdom that never dies.
To pick just one example, the stories from the Mabinogion, the Welsh collection of myth, legend and teaching have wonderful relevance and serve as a storehouse of much Druid teaching. Sustained meditation on these stories will reveal much of use and value to the aspirant after a Druidry that is authentic simply because it is grounded in knowledge and practice. As a pragmatist more than a reconstructionist, I’m much more interested in what works than in what may be historically accurate. The former leads one to inner discoveries. The latter is engaging as a worthwhile scholarly endeavor first, and only as a possible source of spiritual insight second. And that is as it should be. History is not spirituality, though it can inform it. But even if we can accurately deduce from an always incomplete archaeological record what a Bronze Age Druid may have done, it’s still not automatically fit and appropriate for a contemporary 21st century person to adopt. That’s a decision we must make apart from the reconstruction, which cannot guide us by itself. Stories, however, though formed in a particular culture, often reach toward universals far better than physical objects and actions.
The story of Taliesin (this link is to a public domain text — more modern and well annotated versions are available) in the Mabinogion moves us into a world of myth and initiation. In the tale, the boy Gwion passes through ordeals and transformations, becoming at length the poet and sage Taliesin, whose name means “shining brow” — one who has a “fire in the head” and is alive with wisdom and poetic inspiration. As with figures from other traditions whose heads are encircled with halos, or shining with an otherworldly brightness, Taliesin belongs to the company of the “twice-born,” who have fulfilled their humanity by making the most of it. In my next post, I’ll talk about the first key in the story — persistence.
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First image is a triskele or triskelion, a pan-European symbol associated with the Celts.
Second image is of Taliesin from Caitlin and John Matthews’ Arthurian Tarot.
Want a good overview of the awen in the life of another Druid? Don’t just take my word for it. Read Druid-in-two-traditions Dana Driscoll’s account 
A Druid Way 
