I’m posting this update in part because one of the videos on my first post about Romuva is no longer available. The several hundred views that original post enjoys each year say you’re still interested. The video below celebrates a handfasting/wedding with image and music in the tradition of the revived ancient Romuva faith (Wikipedia link) and practiced in Lithuania.
From the outdoor ceremony on a wooded hilltop, to the symbolism of the rite and the lovely handcrafted objects and garments of attendees and participants, to the presence of the Romuva priestess officiating, this wedding video is both a smooth professional production and an illustration of the vibrancy and appeal of much Pagan practice. The first six minutes in particular capture the ritual. (The rest of the video continues the celebration with friends and family, dancing and cake.)
As with so much ritual, Pagan or otherwise, it’s useful to reflect from time to time on what still carries meaning, and what we may have retained simply “because it’s always been done this way”. The potency that ritual often celebrates may merge with elements of the ritual itself, and we can end up revering the elements over the original potency. At times we may find ourselves noticing that the ritual begins to feel flat, dim, empty. (It’s the same principle that underlies sympathetic magic, which we’re witnessing in weakened forms in vast swathes of current events, as influences bleed almost uncontrollably from one person and thing to another and another, like a pandemic or flash flood or wild fire. These are both metaphors and realities that have much to teach, if we could begin to listen.)
Regeneration so often occurs from the roots, so it’s good to examine what these are, and whether we’re caretaking the dead leaves of one season, or nourishing a vital root-stock that sends out green shoots and runners each spring.
For care-taking is a large part of what we’re called to do, less in the way the word gets used today, where we’re “merely” standing in for the “real owners”, and more in the literal sense: a taking-care, a cherishing and nurturing.
Give the fear and stress and suffering of much of planet, we might begin with taking care of ourselves, and as it grows, let that care flow outward. Like any valid spiritual practice, Druidry offers tools to do just that.
The commitment of the two people hand-fasting in the presence of the community assembled as witnesses, and with their love and support for the commitment the couple undertakes, and the acknowledgement of the mirth and reverence, the beauty and mystery that characterize the event, offer useful models for action. Which of those elements can I practice today in my life?
So much of the genius of Druidry grounds itself in the here and now. Its metaphors concern growing things, the seasons, the changes and encounters and opportunities shaped by living in time and space. (The physical world is the ultimate spiritual metaphor.) Our communion is with life lived with other beings, including some without their skins on. But no one asks me to believe in them, or at least no more than I ask them to believe in me. Which can be lots, or not at all.
And so it is that the awen isn’t something to pray to (though I could), but to say and sing and listen to, in a group or alone. The crowded sapling I replanted last autumn doesn’t require my belief (though I’m free to believe my belief will help) but rather the space to grow, and regular watering until its root system re-establishes itself. The birds or beasts I share my life with need food and shelter and care. I may consider them dear companions, or manifestations of deity, but when they wake me asking for a meal, or to nudge me for a caress, no incense is required.
Some may choose to explore further, to part the veils that exist everywhere, that make physical things more and more transparent for Spirit, or that also can preserve a reassuring earthly solidity a little longer, if we need it. Face-to-face with a local part of the world I encounter just a few paces from here, a part I can paint and ponder, photograph and feel, I know enough of divinity to take another step, if I choose.
I’ve had trouble for a few years now with a frequent sense of constriction just before waking. Traditional medicine points to things like sleep apnea, poor diet, sleep paralysis, and similar physical causes. But I’ve eliminated these things as primary, though some may be effects of a more underlying cause. If ever I doubted that I leave my body every night, here’s proof, when proof’s no longer needed: I’m definitely outside, and frequently reluctant to return. Often in near-to-waking dreams I’m entering a tunnel, climbing a narrowing stairway, pushing myself into a corner, sliding into a tight, confining and claustrophobic space. Ah, said a friend proficient at getting out of the body, when I shared some details of this experience, I know that feeling. I came to realize a part of me was too large to fit comfortably inside a human form. Sometimes you need to make inner adjustments with what you try to bring back with you. Hmm.
“I was more independent than any farmer in Concord,” remarks Henry David Thoreau, in the “Economy” chapter of Walden, “for I was not anchored to a house or farm, but could follow the bent of my genius, which is a very crooked one, every moment. Beside being better off than they already, if my house had been burned or my crops had failed, I should have been nearly as well off as before”. Unlike Henry, I have a house, but my genius is as bent as any, and perhaps the curvature makes following it into a bone-house, if not back out again, more difficult than it need be. I hear the word shapeshift echo behind my hearing, like something spoken in the next room, though no one else is home — and I ponder new ways to explore this dream-waking challenge. What shape might better fit, if a human one proves too narrow? A new practice to explore.
Grounded in the here and now, I have a center from which to explore. Maybe that’s both aid and obstacle. Hermes Trismegistus, Thrice-Greatest Hermes, is said to have remarked, “God is an infinite sphere, the center of which is everywhere, the circumference nowhere.” So I reflect that creation as deity sees it is happening wherever the center is, and finishes at the circumference. Whatever that means, it may mean that it begins where I sense a center. I needn’t go looking for it anywhere else.
Hermes Thrice-Greatest, in Latin Mercurius ter Maximus — MtM for someone like me in love with acronyms — is simply another doorway, a mask spirit wears, as we all are to each other, another chance to ponder all the ways and plays of spirit peeking out from everything. The more closely I explore this blessed physical world of metaphorical and very real earth, air, fire and water, the more carefully it explores me. Thoreau knows what I’m sensing; a few lines of his became one of my mantras, long ago:
Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars — Walden.
The Wikipedia entry for genius offers a useful etymology for extended meditation:
In ancient Rome, the genius (plural in Latin genii) was the guiding spirit or tutelary deity of a person, family (gens) or place (genius loci). The noun is related to the Latin verbs “gignere” (to beget, to give birth to) and “generare” (to beget, to generate, to procreate), and derives directly from the Indo-European stem thereof: “ǵenh” (to produce, to beget, to give birth). Because the achievements of exceptional individuals seemed to indicate the presence of a particularly powerful genius, by the time of [Caesar] Augustus, the word began to acquire its secondary meaning of “inspiration, talent”. The term genius acquired its modern sense in the eighteenth century, and is a conflation of two Latin terms: genius, as above, and ingenium [cf. ingenious], a related noun referring to our innate dispositions, talents, and inborn nature. Beginning to blend the concepts of the divine and the talented, the Encyclopédie [an 18th-century French encyclopedia]article on genius (génie) describes such a person as “he whose soul is more expansive and struck by the feelings of all others; interested by all that is in nature never to receive an idea unless it evokes a feeling; everything excites him and on which nothing is lost”.
Again and again I return to earth, to the physical, this first and last mystery, vessel for otherwise intangible spirit, which still looks at me even as I gaze at it. And I consider a genius of my locus, a spirit of place — an altar, if I see it so — the stone in our front yard, mantled with snow and lichen on this November day.
May all that you meet talk to you, teach you, comfort you, challenge you, guide you, prepare you.
Then there are those times when you’re simply enjoying the kitschier side of your culture. And maybe, in spite of everything, you still encounter a kind of metaphorical economy inherent in things, in which even apparent kitsch can reveal a mystery, or prompt a discovery.
My wife and I were on a return leg of our car-trip yesterday afternoon when we saw a Minnesota highway sign at the town of Blue Earth that caught our attention. A short turn off interstate 90 led us to a parking lot and a small patch of, well, green.
To celebrate the 1978 completion of interstate I-90 as a highway linking Boston to Seattle, Green Giant Foods erected this statue of their Jolly Green Giant mascot in Blue Earth, Minnesota. (Green Man always manages to sneak his way into consciousness, one way or the other.)
Like some of you older readers, my wife and I grew up hearing the bass voice-over of “Ho, ho, ho … Green Giant!” as the animated cartoon version of the big green guy hawked frozen vegetables on TV. Now here he was “in person,” or as close as we could get. And may this post be a small tribute to His Greenness.
A Druid Way 