My wife and I returned late yesterday afternoon to a cold house — we heat only with wood — back from an overnight to Boston where we visited my wife’s cousin Sue in the hospital. She’s due to go home soon after stem-cell replacement therapy and chemo for lymphoma. So far the treatment’s working, and her toughness and optimism are heartening.
Our indoor thermometer read 49 degrees, and as we shivered in the last afternoon light and I rekindled a fire in our woodstove, I caught myself glancing a couple of times at a calendar, the way you do after a trip, to reorient yourself to times and days. Late January. The last glimmer of sun over our front yard showed a typical Vermont winter scene — new snow, bare trees, and that deceptive bright calm that makes you believe you really don’t need to bundle yourself up and protect every extremity against single-digit New England winter days. A single step outside offers a brisk corrective to that particular illusion.
Yes, frostbite lurks for the unwary, but there’s a subtle shift nonetheless. Birds know it, plumped against the cold, heads cocked and alert for anyone else finding food, and so does the ivy drowsing beside my wife’s loom. It’s perked up recently, as if waking from its own vegetative hibernation.
Sue’s bright spirits, beyond her own brand of courage, are in keeping with the changing season. Imbolc approaches, the holiday also celebrated variously as Candlemas or St. Brigid’s Day on Feb. 1/2. The northeastern U.S. lies in the grip of winter, and yet the holiday looks forward to spring. The Irish word imbolc means “in the belly” — the fetal lambs growing and approaching the time of their birth into a larger world, full of darkness and light. Brigid draws devotees who keep shrines lit with light and fire. The Wikipedia entry nicely sums up her importance: “Saint Brigid is one of the few saints who stands on the boundary between pagan mythology, Druidism and Christian spirituality.”
Verses in her honor abound:
Fire in the forge that
shapes and tempers.
Fire of the hearth that
nourishes and heals.
Fire in the head that
incites and inspires.
You can feel the change with your eyes, on your skin, in your bones — a slightly different angle of light, longer days, a listening quality, if you go quiet enough to hear it. A reason to celebrate with light and flame.
There’s an old Japanese saying I encountered while living and working in Tokyo two decades ago that often comes to my mind this time of year. “What is the bravest of living things? The plum tree, because it puts forth its blossoms in the snow.” There’s a bravery in certitude, a trust that, as Genesis 8 declares, “As long as the earth endures, seedtime and harvest, cold and heat, summer and winter, day and night will never cease.”
There’s deep comfort in homely things — things of home — the soapstone stove, the hearth stones that accumulate wood-ash and need sweeping a few times a day, the armfuls of oak logs I bring to feed our fire.
Late this morning as I finish the final draft of this post, the stove still ticking and pinging softly as it heats and cools with each charge of wood, the wall thermometer finally reads 67. My wife reads in bed, the sky lowers gray, and a fine snow clouds the air as it descends.
The world’s oldest trees make a fit subject for a short post today. Check out that link. Spend a few minutes with images of ten trees alive for millennia.
Wikipedia went dark today in protest, political partisans continue to trade insults on the media stage, the global economy lumbers and stutters along, and humans are born, grow, discover, love, kill, invent, sing, go to war, paint, hate, create, die and come back to life. Ever had a sense of lifetime deja-vu? As one of the Wise observed, “We keep coming back till we get it right.”
The trees are witnesses to so much of our mortal drama, and yet live lives almost unimaginably long in comparison with our few decades here.
Here’s a video link to a short (4-minute) link about some marvelous research into networks of trees which support and nourish each other:
A singe grosbeak inspects our feeder, and as I look out through the living room picture window at the bird plumped against the cold, there’s a reflection in the glass of flames from the woodstove inside. In its orange vigor, my fire faces west, Druidically inappropriate, but very welcome on this grade A gray day.
In the northern U.S. that’s an image of this time of year: reflections, of heat inside, of life still proceeding outdoors and in, of the time of year itself.
The interval between Thanksgiving and the December holidays can be a delicious space, a “meanwhile” or middle-time for re-tooling and starting to close up shop on the current year. To feel that it’s often too busy, or merely filled with worsening weather forecasts, as though that is all it has to offer, is to miss something profoundly meditative about these days. What’s the opposite of miss? Attend, intercept, catch, be there. Whatever it is, that’s what I want to do.
There is as well in November and early December a late-autumnal melancholy, it’s true. The peak of Thanksgiving has passed, and some may see the next months as a pretty solid trudge through the valleys (in our boots, scarves and gloves, and hauling snow-shovels) until the climb to the next holiday.
So when I can take a look from this end of the year at a season at the other side of summer, I do. Off to that start of spring transience which mirrors something in us now as well. I followed a link from an article in today’s NY Times and there on the page was the sudden pure pleasure of “Sakura Park,” a poem by the late Rachel Wetzsteon (pronounced “wet-stone”). Take a visit to late spring, six months ago, or six months to come. The cherry trees (the sakura of the title) are in bloom …
Sakura Park
The park admits the wind,
the petals lift and scatter
like versions of myself I was on the verge
of becoming; and ten years on
and ten blocks down I still can’t tell
whether this dispersal resembles
a fist unclenching or waving goodbye.
But the petals scatter faster,
seeking the rose, the cigarette vendor,
and at least I’ve got by pumping heart
some rules of conduct: refuse to choose
between turning pages and turning heads
though the stubborn dine alone. Get over
“getting over”: dark clouds don’t fade
but drift with ever deeper colors.
Give up on rooted happiness
(the stolid trees on fire!) and sweet reprieve
(a poor park but my own) will follow.
There is still a chance the empty gazebo
will draw crowds from the greater world.
And meanwhile, meanwhile’s far from nothing:
the humming moment, the rustle of cherry trees.
Yes, that’s a poet for you — insisting on a connection between cherry petals and the growth of self, when all the cherry need do is be a self beautifully ready to attract bees, produce fruit and fulfill its cherry-tree-ness.
And yes, there’s a whiff of early middle-aged cynicism creeping in here (Wetzsteon died at 42), the dry rot that afflicts so many who tell themselves to be content with meanwhiles. “Give up on rooted happiness!” she urges. There is still green chance and raw luck and sweet grace in the world, but until they salvage something greater than what’s at hand, be content with meanwhiles, the poet advises, the “far from nothing” moments that hum with possibility even now. So it’s back to trees, where maybe we should have remained.
Too often we are literally “self-important.” We worry about the self like a barefoot child abandoned in a parking lot, or an opened can of tuna that will spoil unless we eat or cook or refrigerate it. The cherry tree sends out blossoms unworried about November. Not because November won’t come, but because it’s not November when it’s April. And when November comes, the tree will be a cherry in November, awaiting the next humming moment.
And yes, if I meditate among the swaying branches and crackling leaves this time of year (trying to fluff myself against the cold like an outsized bird, so I can sit or kneel a few minutes without shivering and breaking my focus), the “stolid tree on fire” matters more than it did before, and my own concerns matter less. Restoration that we seek, visit all who long for it. Find it in the silent witnesses of trees. We who listen for “a voice that will save us” forget what burns in front of us, the fire in the stove in the living room, this day passing with us into “later” and darkness and tomorrow, the trees wintering, summering and wintering again, the air itself, with its metallic crispness on the tongue and in the nose, the fire that burns in all things.
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The 50,000-word deadline this Wednesday 11/30 at midnight looms before us “wrimos,” and I’m finally within range. Woo-hah! The Nanowrimo site obligingly lets participants grab icons of progress — anything to keep us writing. Much of what I’m drafting now is detail, filling in missing scenes, background, snatches of dialog with disembodied characters, pieces of Harhanu physiology and psychology — and I suppose, not surprisingly, a brand-new and potentially primary character — because of course what I expressly did not need at this point is a strong new presence telling me “when you are done, you are not done, for I have more” — to paraphrase Omar Khayyam in his Rubaiyat. He already has a name (Tehengin) which he obligingly repeated to me till I got it right. But, probably, I do need him — in some way which I’m sure he’ll inform me about. In detail.
So anyway, here I dance at 44212 words, taking a break to blog, before I return to dance some more. Wish me well in this home stretch.
As editor of a collection of essays, The Rebirth of Druidry, OBOD‘s Chosen Chief Philip Carr-Gomm attempts to characterize something of the appeal of the spirit of Druidry in human terms. I quote his article at length because in its effect it is all of a piece, and because it provides a suitable introduction to some things I want to say about the Goddess:
Druidry is the perfect lover. You fall in love with her so easily because she is so romantic. She whispers to you of the magic and mystery of the turning stars and seasons. She loves trees and Nature above all things, and you yearn for these too. She tells you stories of Gods and Goddesses, the Otherworld and fairies, dragons and giants. She promises secret lore — of sacred trees and animals, of herbs and plants. She points deep into the past, and ahead towards a future which is lived in harmony with the natural world. But just when you are convinced you will marry her, because she is so beautiful, so tantalizing, so romantic, she turns around and there she is, with rotten teeth and hideous face, cackling and shrieking at your naivety. And she disappears, leaving you with just her tattered cloak, made up of a few strands: some lines from the classical authors, whose accounts are probably inaccurate anyway, a few inferences drawn from linguistic and archaeological research, which could be wrong, with the rest of the cloth woven from material written from the eighteenth century onwards, replete with speculation, forgery and fantasy.
You feel a fool. You don’t tell your friends about your lover. You feel tricked and defrauded, and decide to follow something more authentic, more established, more substantial — like Buddhism, or Christianity, or Sufism, or Taoism — something serious. But then you go out walking. You follow the old trackways, you come to the old places. You see the chalk gods and stone circles. You pause and open yourself to the Land, and there She is again. But this time she is even more enchanting because you can see that she is not just a beautiful woman, full of romance and seduction, you can see that she is also a wise woman, who will provoke as well as seduce you, who will make you think as well as make you feel. And then you suddenly know why she has been the object of fascination for so many through the ages. She is the Muse, the Goddess behind Druidry, the bestower of Awen, of inspiration.
Obviously the imagery here from a male author conveys part of how a man may first encounter the “Goddess behind Druidry”; it may not appeal to women, who find their own powerful ways of connecting with Her. In mythic terms, however, this account very much reflects the changeability of the Goddess — what has inaccurately been called her fickleness, and which has caused many accustomed to meeting deity in a single, invariant form to confuse variety with unreliability or untrustworthiness. Westerners in particular have largely been cut off from experience with aspectual deity, which the Goddess so clearly manifests. Rather than manifesting a loving and compassionate presence, “[t]he deity may appear in wrathful or challenging forms, but these should not be considered hostile. She is the kernel of truth at the heart of everything, and if she appears in challenging forms to you, look more deeply, considering why this may be so,” suggests Caitlin Matthews in her slim but potent book, The Elements of the Goddess. “Many of those who venerate the Goddess are unhappy with her supposedly dark aspects because they associate ‘dark’ with ‘evil.’ In order to save her child about to do something dangerous or silly, a mother will get angry, shout or scream, but this doesn’t mean to say she loves her child any less.”
My first encounter with the Goddess came unbidden, unsought, when I was 25. (You need to know: I’m not especially sensitive or psychic. Friends who are say anyone who wants to reach me has to raise quite a ruckus to get my attention. If you’d asked me then I’d say — still would probably, even today — that half of what people experience in such situations is imagination. But now by “imagination” I mean something considerably larger and more potent than I did then. More about that later.) It was a frosty autumn day, and I was wandering the fields and scattered woods of a farm my father had recently bought in western New York, south of Rochester. I paused in a swampy grove of trees, with several fallen and decaying trunks to sit on. A mood or atmosphere of autumn pervaded the place, almost palpable. The air lay perfectly still. The musty-sweet smell of dried dead leaves filled the air, along with a tang of rot and manure from a nearby field, and a hint of woodsmoke. Over the hills from a distance came the faint roar of some town maintenance vehicle — they were always patching roads in the area. But distant sounds simply deepened the stillness by contrast. As this meditative silence spread and enveloped me, I became aware of a presence that filled the grove and towered over me, fifty, sixty feet tall. Immense. One face of the Goddess. Conscious encounter. Her.
She didn’t knock me on my ass, though that might have been useful too, given how dense I can be. But though I describe it here in mild enough terms, the experience was unforgettable, not for any one detail, but for its undeniable — and familiar — quality. This was someone I knew. Not someone or something alien, or to be feared, or a matter of belief, any more than I need to believe in the tree-trunk I sat on. It was like finding a limb which, when you found it, you knew had always been a part of you all along. You just hadn’t been aware of it. As if it had been asleep, but for its waking you finally twitched a muscle in it, and in feeling it respond you felt it.
So what’s the big deal, you say? “He met the Goddess, in some ways it was an anticlimax though also somehow memorable, he got over it, it was years ago. So?”
A year later I was in the throes of my first love affair (can anyone say “late bloomer”?), a tumultuous relationship in which I did get knocked on my ass. Among all the other things this Goddess encounter was, it was preparation, or warning. I needed greater emotional experience, insight, maturity. I was about to get it.
In between the divine and human realms is an archetypal one — a place, often, of dream and vision, and the idealized images of Others for men and women which “haunt our imagination and often make our love-lives incredibly tortuous until we realize that these daimons will never become physical realities. They are messengers between the divine realms and the human levels of our experience” (Matthews, 13). This was part of what I needed to learn firsthand. No book knowledge this time. It was an initiation of its own.
So this fall at OBOD’s East Coast Gathering, in a meditation involving an encounter with the Goddess in her guise as Cerridwen, I felt a surge of panic — again. “Cerridwen is bad. She tricked Gwion Bach in the old Welsh tale.” But it was old programming. Incomplete knowledge. Fear of that “fickleness” I mentioned earlier. “The old, outworn, dualistic concept of the Goddess as cruel and capricious must be viewed for what it is: a reflection of our shadow-side, a terrible polarization of social responsibility with which women have been burdened as a sex” (Matthews, 24). But now I had more tools to begin to deal with it. At Samhain I did specific work with the Goddess. I needed to. Is it any wonder I also spent 15 years working in a freshman girls dorm as a house parent? Training up close and personal. “The Goddess stands at the heart of life, death and further existence and she will assume the forms which are most appropriate in her dealings with our world” (Matthews, 24). Or as a teacher in the other path I follow related, when he talked about his own experiences with inner and outer realities, “They had to get me to stop bowing every time they appeared, so they could actually work with me and get some work out of me.”
Matthews continues, in ways particularly useful for a male bard like me. “Men experience the Goddess through their creative side. She makes manifest their ideas by animating their dormant creativity. There is a strong sense of ebb and flow about these energies which give men an experience of the cyclical nature of the feminine menstrual cycle. This kind of relationship is rarely recognized for what it is, yet all men can discover and welcome this experience. Although the effect of a Goddess upon a man is less immediately physical than in a woman, it is nonetheless potent” (15).
There is much misunderstanding of gender and sexuality, and what constitutes the self and its connection to the world, perhaps nowhere more so than in the West, with its addiction to pornography, its fear of homosexuality, its violence against women, and its frequent indifference to children. I’ll let Matthews have her last word here. “Every human being is a child of the Goddess … The way of the Goddess is one of natural law and natural wisdom … It is primarily the people of the West who are orphans of the Goddess. The social and political reasons for this desolation have been documented in many books … Both women and men need to find their Mother, relating to her and her creation in fresh and balanced ways, for every one of us needs to drink of her wisdom and realign ourselves with her natural laws.” This is not a matter of belief but of incarnation — our own — to live fully, gratefully and passionately in this world, until we leave it.
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Nano update time. Is it any wonder, in light of this post, that I’m writing about a succubus?! And sympathetically — as a main character?! Must be some sort of assignment from the Goddess. Further training. God knows if it’s publishable. (Goddess may know, but if she does, she ain’t tellin’.) Reached 17,804 words: over 1/3 of the way there. Need to hit 20,000 today to be fully caught up, including today’s work. Should be able to do it. Major scene yesterday, in which Alza connected with the man she needs for her magical work, showed him her nature in a brief feed and reversal of energies to restore him, bypassing the mental level altogether, where the idea of a succubus would have completely flipped him, and left him with a medallion magically linked to her — ongoing physical contact to reinforce the dynamic. The resulting reactions when he deals mentally and emotionally with what he already knows will be interesting to capture, but the heavy lifting for that scene is done.
I’d been including more fire imagery in description and action, since Alza’s succubus nature seemed increasingly to resemble that of a fire demon. And then, as a break yesterday, doing some research on demons and succubi in other cultures, I happened on this quotation from the Qur’an: “And the jinn, We created aforetime from the smokeless flame of fire” (Al-Hijr, 15:27). And in an email yesterday from the university where I’m taking a seminar, advertising a weekend workshop for men: “FRIDAY, 11/11/11 – SUNDAY, 11/13/11 – ON THE EDGE OF FIRE: A MEN’S SPIRITUALITY RETREAT.” Right between the eyes — the kind of serendipity and synchronicity and happy accident one hopes for in writing. So I’m on some kind of track. I’m just still discovering what it is. And that’s much of the deep pleasure of this verbal marathon.
“We are many sets of eyes staring out at each other from the same living body” — Freeman House, Totem Salmon
We are many sets of eyes, staring out
at each other from the same living body.
We are ears listening to each other
across valleys of skin.
Heat of the other’s blood
warming the air we breathe,
air that filled the other’s lungs
not long before, and will again,
ruffling our hair, rippling this field
of frost-gray grass.
We touch earth that touches each other,
life-print curling at our fingertips and lips,
world (a piece of it) digesting in our bellies,
swept along in blood and spit,
spice of it in our marrow,
essential you in everything
I eat and love and do,
essential me in you.
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So there’s a poem provoked (I say “provoked” rather than “inspired” because that’s the sensation — I encounter a piece of language not my own that becomes the grain around which oyster tries to form a pearl. It won’t let go until I respond, and try to shape the sensation into something in words.)
Nano update: I’m catching up at 13,527 words and counting, but still a little more behind than I’d like. We’ll see what 2 and 1/2 cups of coffee this morning helps me accomplish. I don’t usually drink it, since I’m hypersensitive to caffeine and it keeps me up most of the night following the day I drink it, but I was cold this morning, and the smell! … well, anyway, I’m caffeinated and writing.
Found an interesting passage in a medieval author yesterday, Walter de Mapis. (If you’re gonna procrastinate, I say, why not procrastinate tangentially? I researched historical refs to succubi.) So now I know something about rumors surrounding Pope Silvester. The pontiff flourished around the year 1000, and his legacy includes the story of a certain succubus, who was said to give him advice, and who was reputed to be his lover. Supposedly he repented on his deathbed. Traitor. I’m expecting my succubus main character Alza will have something to say about that. Who knows — maybe she was there. Maybe she was the succubus …
Just discovered she has a mantra or prayer or verbal talisman she recites frequently. Maria, one of her worshippers (from her “cult” phase), overheard her this morning talking quietly to herself, and asked about it. Here are the words Alza said (part of the charm is to speak about oneself in third person):
Alzakh ne utayal gashem muk dafa.
May Alzakh grow in this surrounding fire,
may Fire know her for its own,
may Fire fill her in all she does,
burning away what blocks her,
burning toward what is native to her,
what is or will become or has been Fire,
time the Fire that moves all things into being.
Always fun to get a piece of the original in Harhanu. You need to know: among my other odd hobbies is conlanging. So I hear bits of languages, like I imagine musicians and songwriters hear snatches of songs and musical phrases. Here are the italicized words phonetically, as I heard them from Alza’s mouth: ahl-zahkh NEH oo-tah-YAHL gah-SHEM mook dah-FAH. [Literally, Alza this surrounding fire-in grow-imperative.]
Alza’s name in Harhanu is actually Alzakh, with the kh the raspy sound in loch and Bach — a voiceless velar fricative, to be all linguistic-y and precise about it. Alza’s name got truncated over the years, to match what people thought they heard, or thought it should be. Much as men around Alza imagine the woman they want, which she can then use to seduce them. Most men are, frankly, pretty seducible, she learns. So that part’s easy.
You want Druidry? Find it here, or go bother somebody else. (Now maybe you have some idea why I don’t overdo the caffeine. It makes me all cranky-creative and snarky and stuff.)
Sunlit November trees.
A scarf of woodsmoke curls between the mountains.
Look long enough at beauty, someone says.
You’ll begin to see more things as they are.
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So, Nano writing update: was out of town at a conference yesterday, and got no writing done. That means today’s a triple push: tomorrow I have a class, a car appointment, and a (late) Samhain celebration with a friend, so there’ll be less time to write. And catch up from yesterday, along with today’s 1667 words.
I’m grateful they keep coming. You know a story is launched — and this says nothing about its quality, only about whether it’s alive for the author, at least — when characters invade your dreams and begin telling you stuff about themselves. And while exercising this morning on our secondhand treadmill in our breezeway (45 degrees, but warmer than outside), I got another piece of plot. Rather, more a set of questions to ask (and answer), and a couple of flashes of image-ideas. By the end of today, I should be at least at the 10,000 word mark if I’m to stay on track.
My main character has retreated to her house in Santa Fe to take stock. (Why Santa Fe? I’ve no idea. Never been there. Would like to, yes. Have to do some research, to see how I might use the locale.) Now to avoid merely lengthy exposition and instead make things happen. I might be able to get away with some flashback, dramatize bits of the past that are now relevant. I keep picking up the stray question here and there that won’t let go, and it generates backstory — in some cases, gobs of backstory. But no stopping to worry about whether the story should begin somewhere else. That’s for a revision. Right now the point is to keep going, keep seeing new pieces I wouldn’t encounter any other way. In that way it’s like any creative process. The road rises to meet your feet as you keep walking.
Maybe you’ve had the dream version: you’re dreaming, you come to a cliff, you’re aware enough to say, “It’s a dream — I can jump and nothing will happen! Woo-hoo!” So you toss yourself in complete abandon, enjoying the thrill of that reckless plunge you would never take awake, but just as the cliff edge spins away above and behind you, you terrify yourself by asking: what if it’s NOT a dream?!
With luck, at this point, you don’t wake yourself up, heart pounding, breathing hard. Instead, you watch to see how you will land, and where, whether you will sprout wings and fly someplace else, etc. In other words, you’re hungry to know what will happen next?!Don’t let me wake up yet!
“But ask the animals, and they will teach you; the birds of the air, and they will tell you; ask the plants of the earth, and they will teach you; and the fish of the sea will declare to you” — Job 12:7-8.
Mourning doves at the feeder this morning, blue jays squabbling on our standing-seam metal roof, shortly before dawn a fox leaping through the snow nearby, mice in the garage foraging on birdseed I spilled and haven’t yet swept up, a few geese lingering and looking forlorn as they forage in the dark water of a lake, made darker by contrast with the surrounding snows.
Visible kin, feathered and furred. Beneath the surface of the pond, a few salamanders who haven’t yet burrowed into the mud to winter there. Scaled kin.
And golden till the end — leafy kin — a young maple in our back yard, shouldering its way up among larger pines.
What can I ask, and what will they teach, tell and declare?
Isn’t everything open and shut at the same time, the glory and the wretched side by side, the fox killing the hare, the wonder of sunrise, a birth and a death both?
But what of the between, where we all live, where it is often neither? The third way we pass over, because it constantly moves with us, never stopping to be wholly seen or felt, a shadow at our backs, a light in front of us, a suspicion of beauty and the marvelous: peering through the grime and fog of a dirty window, a commuter on the way to work, waving; a bare branch with exactly seven sparrows wing to wing, puffed against the cold; the surprise of light on water, perfect mirror; a child’s unflinching gaze. O my world, altar of how many things to see and know and suffer and enjoy and give up and welcome again, how can I do anything else than love you, in the end?
After a gentle, wet snow last night, the landscape is transformed.
The light before sunrise paints everything a lovely gray-blue, and in the stillness you can hear snow falling from branches as the temperature slowly rises. Minute by minute the scene changes, so I hurry to photograph this brief beauty.
Our clothesline has quadrupled in size with its snow sheathe.
Even as I hurry to capture these images, still in the shade of the hill to the east, the tree-line across the road receives the sun, and the yellow leaves still on the trees begin to show through under the snow.
A few hours later, with the temperature risen to the mid-30s, the trees stand mostly snow-free.
On other blogs, I’ve also looked at practices and perspectives found in many places, Druidry among them, that are forming part of new-old ways of living on earth. The video below captures something of what I’ve found in Druidry. It’s got a nice flute solo and some good nature images. How were you planning to spend the next two and a half minutes, anyway?!
That presence in forest, grove or single tree is something kindred to me, so I walk under the branches, and touch the bark and speak with them, and listen. Their slow gestures move in the air above me. And the silence rings in my hearing. Druids and trees — that was something I understood right away. In childhood my closest friends were trees. What is it about them?
The German poet Rilke captures a piece of it in one of his Sonnets to Orpheus:
A tree ascended there. Oh pure transcendence!
Oh Orpheus sings! Oh tall tree in the ear!
And all things hushed. Yet even in that silence
a new beginning, beckoning, change appeared.
Creatures of stillness crowded from the bright
unbound forest, out of their lairs and nests;
and it was not from any dullness, not
from fear, that they were so quiet in themselves,
but from just listening. Bellow, roar, shriek
seemed small inside their hearts. And where there had been
at most a makeshift hut to receive the music,
a shelter nailed up out of their darkest longing,
with an entryway that shuddered in the wind —
you built a temple deep inside their hearing.
Trees get me to go “quiet in myself,” so that silence is not absence of speech, but a positive space that allows the stillness to unfold and open up and include the listener in it. From it rises the “tall tree in the ear.”
Orpheus, the “you” of the last line, is a musician, a listener who hears the space between notes. He knows sound and silence blend to make possible the third thing of music. Wisdom speech, as opposed to chat and gossip, possesses that same character, emerging out of the silence which makes it possible, and bearing the imprint of its quality.
Such communion is a powerful tool. The rough “shelters” we construct out of our animal longings point us toward knowing these things, toward recognizing and gathering in the temple we can find “inside our hearing.”
For those of us on a Druid path, Druidry comes to mean more than the pleasure most of us find outdoors under a sunny sky on a beautiful afternoon, because it has something to say to us all on dark days as well as bright ones. [For some of the ideas in the second paragraph, the quotation in the fourth, and some of the questions in the fifth and sixth, I’m indebted to an article in The Utne Reader by Larry Robinson, about the emerging field of ecopsychology.]
A range of voices — scientific, religious, societal, educational — have told us for a long time that we are individual, distinct objects in a world of other objects. We are our bodies, and our bodies are machines — sophisticated ones, but machines nonetheless — and the problems we experience are mechanical ones: we need tune-ups, adjustments, fixes. We are imperfect, weak, broken, sinful, damaged by our parents, our childhoods, heredity, our own human nature or the cruelties of other people who deny us what we need. But with the appropriate training, teaching, medication, treatment, therapy, alignment, adjustment, we can regain optimum functioning and get back “on track,” into the “grind,” the “swing of things,” the “race.”
If we look to most advertizing, we’re told that the solution to our unhappiness also lies in things. With the right food, clothes, phone, car, drink, partner or credit card or (carefully marketed) “experience,” we ‘ll find the fulfillment we’re seeking. The nagging malaise we feel will abate — some thing can fill it — and company X or service Y has just what we lack. It’s quite simple. We are things. Our problems also lie in things. The fix is a thing; find the thing, and get fixed.
But if we dull and drug the deeper lack by treating it with the surface stimulus of a “thing,” something else happens: “when we treat only the ‘presenting problem’ and fail to address deeper existential concerns, our silence on these issues communicates that we find them insignificant.” By refusing to let the real issue emerge, we shunt it off to the side, we disguise its potency and drive it deeper. Our “fix” just damages more, like a bad patch job when it gives way just tears a bigger hole. From such acts, whole cultures can decay. If the emperor has no clothes, and everyone follows imperial fashion instead of telling the truth, when winter comes, large numbers will get frostbitten. Such deeply embedded cultural deceptions can erupt into concrete, far-reaching physical consequences.
Thus the questions we’ve been given and told to answer are “What’s wrong with me?” and “What do I want or need?” “How can I get it?” and “Who can sell it or give it to me?” Druids acknowledge that we must breathe and eat and drink to sustain bodily life, but pose different questions for us to consider in place of the others above:
What’s my place in the world? Not socially or economically. We might also ask it this way: where am I–literally? What am I connected to? What sustains me each day? What do I have to be grateful for? What comes to me unasked, unsought? How does the world around me provide air and water and food? Who else is walking with me through the world? What is their place in the world? What sustains them?
I’m picking up on Steve Schwartzman’s recent comment here for a title to this post: “happy hunger.” We usually think of hunger as a “simple” biological drive, the body’s impulse towards food or sex or life. Yes, as sometimes conscious beings we can override our hungers, at least up to a point, for some other purpose. But to think of these or any hungers as “happy” I take as a prod in a good direction — a pointer, a reminder, a prompt that a shift in attention and consciousness is possible and has arrived full of benefit.
So what of other hungers? A hunger for connection, a hunger for the sacred, a hunger for contact with the natural world — all of them vital hungers which we struggle to answer and fill each day. And so many “unhappinesses” when we don’t meet these hungers — crimes and random behavior and restlessness and secondary hungers for stimulation — sugar, fat, salt, second-hand sex (porn), alcohol and drugs (to change awareness any way we can!), gossip, fits of temper, violence — these stem, I know at least in myself, from unfulfilled primary hungers, from attempts to shift consciousness out of the bland, boring, mundane, even unreal sensation of “just existing.” As if life, the most real or literally “thingly” thing we experience, could also be “unreal.”* (Which it also is. And that’s neither a good or bad thing, but part of the way the universe apparently works.)
Those of you familiar with psychologist Abraham Maslow’s hierarchy of needs know that, in his schema, these other hungers, and especially the hunger for the sacred, aren’t considered the “largest” or most “immediate” ones at all. They’re at the top of his hierarchy, most distant from Maslow’s naming of our “primary” needs for food and sex and safety. But I’d argue that in fact the need for the sacred is our primary hunger, and that all the rest fall in line behind it. The less we’re connected to the sacred, the more we’re just flesh machines. Fortunately we’re always connected to some degree — that’s what being alive is. The task is to blow the spark to fire, to nourish and feed that singular flame through and with all the others, so that eating and lovemaking and all the “daily-ness” of our lives, potentially everything, becomes sacrament, a door for the sacred to enter this instant, right here, and transform us. It’s what Christians call the abundant life, what Zen means by satori, and what we all experience in those transcendent moments that do not last because we also live through the (potential) sacrament of time, that sweeps us ever onward to the next, the latest, the new. A physical world can only manifest eternity as time. And our next task is to see time our ally, to make it and to know it as a sacrament as well. Not as endpoint — it can’t be that, in its ceaseless flow — but as ongoing opportunity for practice and reverence and worship.
So the “happy hunger” is the hunger that connects us, the hunger we recognize and welcome and honor. As a Druid I have a tool-kit to make room for the sacred, to invite and witness it around and within me and all whom I meet, to increase its presence in my consciousness, and then to bring more of it into my world and surroundings and atmosphere and aura and presence, so that others may encounter it, too, and access it in their own lives. We all have access points to many ways to do the same thing. The tools aren’t what’s lacking. It’s the courage and love and trust and responsibility to make use of them for our own good, for the good of the whole. This is my prayer and my goal for practice, my ritual and my path. May you strive and realize, delight and rejoice, as you discover and find your own.
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*”real,” from Latin re-alis, “real, thingly,” from re-s, “thing, matter, affair.” Thus the “real” means simply whatever is a “thing,” and so the “unreal” is the realm where distinct “things” disappear, where there is a whole, a network, an interplay, an eco-system, and not a collection of separate things to be counted — the “real” is whatever we can count, or assign a number to. And so then of course we turn around and protest that we’re not just numbers to be counted, we’re not just statistics, or collateral damage, we “matter” (odd use of the “material” to point to the sacred!). Here is our recognition that the spark in us is sacred, that it knows more that “this.”
We’re often disposed toward or away from future experiences by previous ones, and for the bookish and private child I was while growing up, books provided me some of those experiences. One favorite that I still re-read from time to time is the fantasy classic, LeGuin’s A Wizard of Earthsea. And one of my favorite passages is a piece of wisdom that is pure Druidry in its nature-focus. When the main character Ged has spent his power in a desperate attempt at healing a child, and afterward lies comatose, his pet otak, a weasel-like creature, gently licks him:
“It was only the dumb instinctive wisdom of the beast who licks his hurt companion to comfort him, and yet in that wisdom Ged saw something akin to his own power, something that went as deep as wizardry. From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be earned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees.”
This is some of the same instinctive wisdom, an inkling or hunch or suspicion about where wisdom may be found. It is bodily wisdom, as least at first, the same kind of wisdom or knowing that helped save lives on Sept. 11, when some people obeyed an impulse to do something different that morning, take a different mode of transportation, or vary the route to work, call in sick, stop for a bite to eat before arriving at work, and so on. We’ve all heard the stories.
If this is instinct, Druidry has no wish to domesticate it, but to extend it, to work in concert with it, to find out its wisdom and humbly listen to it.
I set myself to listen when I can. I’ve long been uncomfortable around bees, wasps and hornets. I got stung badly more than once as a child. But this summer, hanging out laundry, I took myself in hand, and learned to watch them and listen to them and talk quietly to them instead. Below the clothesline of our house, several bees busily gathered pollen from a clump of goldenrod growing there (we let a part of our backyard grow wild every year). I acknowledged them and admired their steady labor and music, never hurrying, but also never pausing. Talking to them did make me feel better. In turn, the bees did not bother me, though they knew I was there. The hum of their wings was steady and assured. A few investigated the damp towels I was pinning up, and several flew around me as they left. We worked in harmony at our respective tasks. By establishing a vibration of peace, we could each do what the moment required.
“Believe one who knows: you will find more in woods than in books. Trees and stones will teach you that which you can never learn from masters” — Bernard of Clairvaux (1090-1153)
Whether we believe Bernard or not, his claim is eminently testable. After testing it for yourself, belief is rather beside the point. So what is it that trees and stones teach, and how does it differ from what we can learn from “masters”? Some of this natural wisdom is difficult to put into words, not out of some obscurantist pseudo-mysticism, but because it is a kind of somatic knowledge — a knowledge the body gains from doing as opposed to what the mind gains from thinking and conceptualizing. How do we know how to ride a bicycle? Once the body acquires the experience, it doesn’t forget — even if the actual knowledge is not something we can usefully put into a set of memorizable “instructions.” That won’t help. Your body has to learn how to ride and learn it by muscle memory, and no amount of intellectual learning will bring us closer to such knowledge. Only experience will do.
The bookish culture of medieval and early modern Europe referred to the “Book of Nature” as a source of great wisdom, alongside holy scripture. For Druids, nature is scripture. While there is plenty of book learning a Druid can acquire, the beginning and ending of Druidry lies in experience of the natural world. If there are things I “can never learn from masters,” nevertheless a good master will turn me loose to experience them for myself. However much I look out my front picture window at the wind bending the ash and the red maple, and the sun shining on them, I know little compared to what I learn feeling the wind on my face and the sun on my skin. A sense of natural presences — of what have been called spirits, devas, elementals — is also something you can’t gain by thinking, any more than you can meet a new person by thinking about people you already know. But time outdoors can deliver this new knowledge to you, if you’re patient and alert, and place this knowledge beyond intellectual argument, because it is at least partly somatic knowledge. The body simply knows. I found this out myself last week, astonished at the number of presences on the small piece of land where our house sits. The back yard teemed with beings. I didn’t have to “believe” in them, anymore than you have to believe in people picnicking near you in a park. The decision at hand for me was whether or not to greet them. They were so perfectly who and where they should be that for me it seemed discourteous not to.
Here’s one of my favorite trees, a tall willow behind our house, on a rather cloudy day yesterday. The tree suffered winter storm damage a few years ago — an almost horizontal branch cracked, broke and fell into the snow — but it’s beautiful still.
And here’s the road up the hill behind the willow. The end curves away out of sight (at least until the leaves drop). A metaphor for the paths we’re all on? Sure. And it’s also — and first — a road. I’ll update the pictures as the changes come.
My wife and I returned late yesterday afternoon to a cold house — we heat only with wood — back from an overnight to Boston where we visited my wife’s cousin Sue in the hospital. She’s due to go home soon after stem-cell replacement therapy and chemo for lymphoma. So far the treatment’s working, and her toughness and optimism are heartening.
It’s perked up recently, as if waking from its own vegetative hibernation.
There’s an old Japanese saying I encountered while living and working in Tokyo two decades ago that often comes to my mind this time of year. “What is the bravest of living things? The plum tree, because it puts forth its blossoms in the snow.” There’s a bravery in certitude, a trust that, as Genesis 8 declares, “As long as the earth endures, seedtime and harvest, cold and heat, summer and winter, day and night will never cease.”
A Druid Way 