says Canadian poet Charlotte Hussey.
Now this proves very useful advice, I’ve found. All the materialist skepticism to the contrary, imagination springs from an inward compost and leaf-mold, yes, and also a vital, creative capacity we all possess as our human birthright. Even those of us who’ve tried to cast it away, if only because to nourish dream and hope can hurt much more than indulgence in flat despair. That means almost all of us. Maybe our singers and poets and wild-eyed prophets number among those who simply can’t forget any longer.*
And some of the Wise will tell you that imagination is the astral sight: we see by other means than merely light rays reaching the retina and dashing up neurons to the brain. Light everywhere has its place, but physical light does not account for those familiar or haunting landscapes we’ve never visited, companionable (or challenging) beings we have never met, and so on. Or indeed, landscapes and beings we have met before. Just not here.
And Hussey’s Ecobardic Manifesto asserts, among its other points, both the return of and our singular need for “the prophetic vocation to look into the inner truth of things and speak, on behalf of the community, what need[s] to be spoken.”
But do we even want to hear “what needs to be spoken”? And if we opt to listen, how do we distinguish this needful message in the midst of the clamor and noise of all the other increasingly hysterical voices around us?
Small steps. I keep returning to this most helpful strategy. Our own practice of silence is a beginning (and advanced) step that helps with discernment of an inner truth we each know for ourselves, if we listen. If we can’t discern it, we can imagine it. Finding a still point beyond the mind chatter. Walk along a quiet sidewalk with trees, find a park, a quiet corner of your apartment or condo or neighborhood. Stillness as practice.
Focus or mantra or prayer. For Christians, scripture like “Be still and know that I am God” makes a powerful start. Pagans have an equivalent range of seed-verses and prayer-songs.
Sometimes the name of deity, or a suitable word like awen or om or amen.
Song or chant in a language you don’t know, to take you out of your talking head (and anybody else’s, too).
Symbol or mandala or image, for those who prefer the non-verbal. Cross, triskele, star, Platonic form, face of a beloved.
Counting your breaths.
Worship kinetically: pick up colorful leaves, play in the mud, lie on your back and watch the clouds. The skills we practiced effortlessly as children have not abandoned us, though we may have “put away childish things” as we raced off to concern ourselves with “matters of importance” and the wide word of adult stress and doubt and angst.
Substances used reverently, like various smudges and smoking herbs, fermented drinks, and so on, have featured in worship and ritual and self-care for millennia.
More important than what I do is doing it often enough that it becomes for me a spiritual practice.
I cannot remember the paternal grandfather I was named for: he died 14 years before I was born. All I have of him are three yellowing photos and a handful of stories. But I imagine him when I honor my ancestors of blood and spirit, and he’s more alive to me as a result. A link, however tenuous, that I (and he, from his side) can strengthen at will.
One of the OBOD Bardic practices is the inner sacred grove. So what kind of place will I make as a spiritual sanctuary for myself and any inner guide whose counsel I seek? I resort to this place to leave a symbol, a dream recalled I want to ponder, or to begin a poem, resolve a problem, express my gratitude, build an altar, light an inner flame, begin and end a ritual, recall during moments of challenge and joy. What I imagine can become as real as anything I build with lumber and mortar, nails and plaster and insulation. (And the grass there doesn’t need weekly mowing. Though the trees, oak and birch, rowan and ash among them, are growing well.)
Imagine, and I remember.
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IMAGES: Charlotte Hussey; D W Easton, circa 1925, on his mail route in Niagara Falls, NY.
*”I think we’re living in a culture that’s so demanding: You never feel like you’re good enough. It wears people down. People are exhausted at the end of the day. They go home and have a drink as a way to cope with all of this—a lot of people have to self-medicate because it would be hard for them to look in the mirror otherwise. The whole concept of being conscious—that’s hard work. A lot of people just don’t want to sign up for it.” “Alcohol as an Escape from Perfection.” Atlantic, 10/13, accessed 10/4/16.
A Druid Way 