[Earth Mysteries 1 | 2 | 3 | 4 | 5 | 6 | 7]
So here we are at the last installment of this seven-parter. Indigestion and too much caffeine. No, not the series, though you may be thinking or feeling that, too. Looking back over earlier ones I realize each post has gotten more random than the preceding one. Not sure if I’ve done Greer a favor, writing about his seven keys — keys belonging to all of us — but doing it in such a way that they’re more “notes for a revolution” than anything like a review. You can’t just dump a bunch of principles by themselves on people and expect them to see how they fit, exactly. Which is what I’ve sorta done anyway. Inoculation by reading.
Like I said, they’re more notes for a revolution, so that when it comes, you’ll recognize the advance guard and maybe the sound of the explosions and know you’ve seen and heard something like this before, and maybe deal with it better or more inventively than your brother or neighbor out here panhandling and prospecting with the rest of us. “Look what I found! It’s a … well, I don’t have a name for it, but it might be useful at the weekly swap-and-steal.” Heaven consists of the spare parts of creation that didn’t get used elsewhere. We’re destined to mine the scrap heaps for the gold everyone’s tossed there by mistake.
Here goes with the last Law. (Of course it’s never the last law. There’s always another one, like yet another stray that won’t leave, moping around for scraps. Throw it a bone, or a filet. Watch what it does with it.)
“Everything that exists comes into being by a process of evolution. That process starts with adaptation to changing conditions and ends with the establishment of a steady state of balance with its surroundings, following a threefold rhythm of challenge, response and reintegration. Evolution is gradual rather than sudden, and it works by increasing diversity and accumulating possibilities, rather than following a predetermined line of development.”*
A shiver of awe and delight coursed through me when I first read this one. Maybe nobody knows where humanity is headed — it’s not something mapped out beforehand. “The wind blows where it wishes and you hear the sound of it, but do not know where it comes from and where it is going; so is everyone who is born of the Spirit,” says the Beloved Disciple in the eighth verse of his third chapter. (What, you didn’t know portions of the Bible are a Druid stealth device? Look twice before crossing.)
Sure, our DNA has something to say about it, and so do the causes we’re always setting in motion. These will shape our experience and our future. But they’re our causes. We can change. And we want to “accumulate possibilities” because these mean freedom. The dead-end singleness of conformity and bland homogeneity leave us hankering for the quaint, the queer, the mysterious, the odd, the doesn’t-fit, the original, the new, the surprising, the fresh. After all, we left Eden (some versions have us kicked out, but the result’s the same) and we’ve been on quest ever since. But “pave paradise and put up a parking lot”? Not what we really want, is it?
In “To Holderin,” the German poet Rilke writes to a compatriot:
Lingering, even among what’s most intimate,
is not our option. From fulfilled images
the spirit abruptly plunges towards ones to be filled:
there are no lakes until eternity. Here falling
is our best. From the mastered emotion we fall over
into the half-sensed, onward and onward …
We suspect so much more of reality than we let on. Or than it does. It’s not safe to do so, but it’s right, in the best senses of the word. Who ever wanted what is merely safe, when fuller life offers itself to us? Well, some people do, and often enough they get what they desire, and before long beg to be freed of it. Poetry means “making” in Greek, and we all make, we’re all makers, poets of our lives. Song is our native tongue, or could be. It’s that melody playing just beyond hearing that we’re always trying to capture, to get back to. That crashing sound? That’s just another person banging around the music room in the dark, trying to pound out a melody.
While we’re listening to Germans, here’s Martin Heidegger: “To be a poet in a destitute time means to attend, singing, to the trace of the fugitive gods. This is why the poet in the time of the world’s night utters the holy.” Cool, just so long as we know the holy really isn’t safe at all. No place to hide. Here’s Rilke again:
Here is the time for the sayable, here is its homeland.
Speak and bear witness. More than ever
the Things that we might experience are vanishing, for
what crowds them out and replaces them is an imageless act.
An act under a shell, which easily cracks open as soon as
the business inside outgrows it and seeks new limits.
Between the hammers our heart
endures, just as the tongue does
between the teeth and, despite that,
still is able to praise …
Sometimes you get the sense from Rilke, like from other madmen and seers, that you’ve always known what he means, that in fact you’ve done what he’s saying, even though you may not be able to say it yourself. But he manages to. We leave saying to the poets as if they’re somebody, but not us, who forgets you aren’t supposed to say these things, or that nobody expected you could say them. But you say them anyway. And get inconveniently booted to the curb by your neighbors, who take over “for your own good,” and after you comes flying what you thought was your life.
So you pick yourself up, brush off the worst of the dust, and keep going, without a life if you have to. Not as if nothing has happened, but as if everything has, and it keeps on happening. Who else do things happen to, but us? We’re mistaken if we think that disconcerting little factoid that reaches the news but which happens in “some other part of the world” — outer Don’t-bug-me, central I-don’t-care-yo! — isn’t our concern. Next week I’ll find refugees from there in my basement, peering up at me. My new psychic friends, walking my dreams, if I don’t see them actually fishing through my garbage, desperate for food or love or those pieces of my life I decided weren’t worth my time.
Oh, Druids are a little bit crazy, more so on certain days of the week than others, and most of all under certain phases of the moon. We’d cry if we weren’t laughing so hard, and sometime it sounds much the same. But the spirit lightens a little, and we see the outlines of a Friend where before was only a little mannikin of sadness or despair. We keep doing this for each other just often enough to go on, suspecting ourselves of the worse motives, and probably right to do so. But there’s a fire over the horizon, and singing, and the party’s going on without us. It’s the same fire in our heads.
Shapes move and stumble around the fire, vaguely familiar, so that after joining them it seems we know them, we left them years ago, but this is a reunion where we see everyone’s suffered and grown, though some have become knotty and twisted, like old trees. But there’s a few among us brave enough to hug them anyway, and bring them into the Dance. And so we dance, all night, the last stars twinkling when we finally stumble home to bed and a delicious, bone-weary sleep. And later, who knows what waking?
/|\ /|\ /|\
*Greer, John Michael. Mystery Teachings from the Living Earth. Weiser, 2012.
A Druid Way 