A Note on Magical and Musical Fire

In this post I’d like to touch briefly on a couple of magical and musical principles — the two things often overlap, if you’re paying attention. This is to some extent a Druid-Christian post, so some of you may want to spend time doing other things, if that flavor of Druidry — or Christianity — doesn’t work for you. (For instance, the video here drives my wife absolutely up the wall.)

Below is a 5-minute video of a catchy Christian worship song, “Everything Comes Alive”, from Toronto-based “Catch the Fire” [Wikipedia entry | official website], a non-denominational Charismatic movement. It’s part of an album compiled from a 2016 Revival. Recently it was posted to a Christian Druidry Facebook group, where it garnered likes, but — last I checked — no comments. I’d like to do some thinking out loud with and around it, to make some observations, and hope they will be useful to readers.

First, the video, featuring vocalist Alice Clarke, one of the movement’s worship leaders:

The song clocks in at 120 beats/minute — a tempo that’s splendid for inducing trance — and the Wikipedia entry on trance is particularly detailed and useful, whatever your orientation and interest, and deserves a careful reading, rather than me trying to paraphrase it here. And a look at the gathered worshipers shows many of them well on their way into trance as the song progresses, with its repeating choruses and singable lyrics and melody.

A subsection on general brain activity is revealing — rather than an either-or state, trance is a matter of degree and proportion among the four kinds of brainwaves:

There are four principal brainwave states that range from high-amplitude, low-frequency delta to low-amplitude, high-frequency beta. These states range from deep dreamless sleep to a state of high arousal. These four brainwave states are common throughout humans. All levels of brainwaves exist in everyone at all times, even though one is foregrounded depending on the activity level. When a person is in an aroused state and exhibiting a beta brainwave pattern, their brain also exhibits a component of alpha, theta and delta, even though only a trace may be present.

Music, not to belabor the point, is one of the most widespread and also acceptable ways of changing consciousness. It’s also among the safest. (How many of us “zone out” to a favorite song?!) Of interest is the attention that Catch The Fire pays to quality musicianship — whatever your musical tastes, the keyboardist is skilled, and Clarke has an appealing, ethereal voice. They clearly understand its value and power as a prime expression of spirituality. Or to put things in terms of the article on brain activity, “What am I foregrounding today — or right now?”

Though many Christians might take issue with calling their form of worship a magical act, it fits the definitions and standards quite nicely. Much of the difference between denominational Christianity and Druidry in their musical choices depends on past practices, local influences and expectation, much less on the effect of the music on consciousness. From meditative reflection to transitional interlude to invoking the Spirit, the awen, the Muse, the gods, the Presence, “music magics the moment”.

As I note on my page on Magic:

[E]ach day we all experience many differing states of consciousness, moving from deep sleep to REM sleep to dream to waking, to daydream, to focused awareness and back again.  We make these transitions naturally and usually effortlessly — so effortlessly we usually do not notice or comment on them. But they serve different purposes: what we cannot do in one state, we can often do easily in another.  The flying dream is not the focus on making a hole in one, nor is it the light trance of daydream, nor the careful math calculation. And further, what we ordinarily do quite mechanically and often without awareness, we can learn to do consciously.

As we ponder how to effect the changes in our consciousness and lived experience that we desire (“that we need, that we can do, that needs to be done”), it pays to employ such readily available means as music. Within everyone’s reach is music in some form, either recorded, live from acknowledged performers, or made on the spot by ourselves. We can chant, play a recorder or whistle, find a percussion instrument among pails and cans, create a rattle from pebbles and resonant container of many shapes and sizes, and include such things in our spiritual practice, whether daily, or on special ritual occasions. (I have a small singing bowl I ring as I enter my backyard grove.)

Music draws beneficent energies to us, in our own consciousness, and from other beings around us.

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