I love these next three arcana — so over-the-top! People write and talk about fearing the appearance of the Tower, or the Devil, in a spread or reading. The Star not so much, though we still invest so much emotion in all three images. I ask myself: need I fear reality? What would that even mean?
Untangle? Absolutely! Or not so much untangle as explore.
For me, one powerful key to the Devil is his connection with the Magician, a harmonic or further spiral, 17 (7×2) removed. The hand positions of the Devil mirror the Magician’s, the right in particular matching the Hebrew letter for sh, Jewish El Shaddai Almighty God, that resembles a “W” (= Hebrew letter shin ש), the handsign that accompanies the priestly blessing, made famous in an entirely different context by Leonard Nimoy as Spock in Star Trek, as a sign for “V” for his planet Vulcan.
The Devil is the Magician is Us. It’s an image of the power humans have at their disposal, bend it as we will — and do. We can live long and prosper, or pervert the same power. As we all have, and no doubt will continue to do, on our long spiral journey.
Courtesy of a Judeo-Christian cultural surround and philosophical filter, citizens of European-based cultures may think of “evil” either as something non-existent (if God is “dead”, then so must the Devil be), or as a force from outside a normal, ordinary, essentially good universe. Time spent in the natural world can disabuse us of either notion: there are simply energy flows, some constructive, others contrary, and human choices often do much to amplify both kinds. (No surprise, I take it personally when I suffer, and I agitate for relief from my own particular suffering.) But both forces remain roughly balanced on the physical plane — hence a return to equilibrium in the flow of Tao that is one principal focus of Taoist practice.
We still tend to give “good” too little credit and “evil” too much, but that’s perhaps a further legacy of Puritanism and of dualistic thinking. Such over-simplification haunts American politics all too deeply, as intelligent foreign observers have long noted: Thus, on the American Left, we just don’t call it “evil” any more, but attach some other and often political label to it, as if it can be legislated away with the “right” people in office, if we can only vote out the backward, benighted, ignorant, toxic, patriarchal, gun-and-Jesus-loving, gay-bashing, hypocritical Deplorables that hold back all that is Good and True, and Progress will finally become the eternal norm. On the American Right, evil is alive and well, and successfully marketed in flavors both religious and secular, along with generous doses of paranoia, and typically describes things that snowflake Liberals, America-hating socialists, Pagan Greens, atheists, man-hating feminists, hidden-agenda homosexuals and baby-killing Darwinian believers support and advocate.
Both sides dearly love to loathe their Other. Do we all project much?!
The Christian sense that this is a “fallen” world in need of redemption compares to a Druidic sense that working with natural systems themselves can teach us how to sidestep a great deal of unnecessary grief in the first place, and wise observation and study can ease much of the unavoidable remnant that comes from living in a world subject to physical laws, time, change, aging, illness, death and rebirth. After all, it’s not humans alone, but animals, trees, mountains, our planet and the cosmos itself wear down and are renewed. “Everything She touches changes,” goes one Goddess-chant.
In the Arthurian deck, the card numbered 15 is the Green Knight. Aptly named, he is the force, as Dylan Thomas names it (links to whole poem),
that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.
The force that drives the water through the rocks
Drives my red blood; that dries the mouthing streams
Turns mine to wax.
And “answers” or elaborations to this come oftenest — you guessed it — from other bards:
To live at all is miracle enough.
The doom of nations is another thing.
Here in my hammering blood-pulse is my proof.
Let every painter paint and poet sing
And all the sons of music ply their trade;
Machines are weaker than a beetle’s wing.
Swung out of sunlight into cosmic shade,
Come what come may the imagination’s heart
Is constellation high and can’t be weighed.
Nor greed nor fear can tear our faith apart
When every heart-beat hammers out the proof
That life itself is miracle enough.
The Trappist monk and author Thomas Merton observed “Nothing has ever been said about God that hasn’t already been said better by the wind in the pine trees”. This is a “gospel in 20 words” that Druids and Christians could share.
“A church that doesn’t provoke any crises, a gospel that doesn’t unsettle, a word of God that doesn’t get under anyone’s skin, a word of God that doesn’t touch the real sin of the society in which it is being proclaimed — what gospel is that?” — St. Oscar Romero. How do we reconcile this healthy sense of activism with Druidry’s deep love and desire for peace? Are they actually opposed, or do they — can they — spring from the same source?
“Speaking truth to power” has never been more necessary — it’s the Magician’s power, in hands we always need to question and challenge.
Matthews’ notes in the Hallowquest handbook accompanying one edition of the deck that the Green Knight “represents the challenger whom all seekers meet on their quest. He answers questions and gives advice, but he also sets riddles and puzzles. Those who think that they know everything he leads astray and torments. His greatest desire is to be bested by a worthy opponent” (pg. 52).
The TOWER
Towers everywhere: in the Christian West, from Babel onward. And before that, too: ziggurats and pyramids and the earliest “towers” of all — mountains. Connections with Mary Magdalene, “Mary of the Tower(s)”. For the U.S., the association with the destruction of the Twin Towers of Sept. 11, 2001. We say “Never Forget” about too many things, as though holding on to painful memory is sufficient tribute, a kind of vicarious participation. It isn’t enough, if I’m to continue the journey the Fool — I — started.
Like the frequent occurrence of Mercury in Retrograde, once you start paying attention, sometimes we just seem to be traveling through continuous “tower time”. Maybe it’s a good practice to uncouple from the Tower. Stop climbing it, sighting it in our viewfinders, walk away for a time.
But then, too, falling from a height is an old primate dream. How many of us have experienced falling dreams, or a sense of vertigo shortly before falling asleep, a sensation strong enough to startle us awake again?
Let ourselves fall, and what do we discover? All the way down, and our perspective might change.
We might see in the Tower a challenge to the ego, to the self we manufacture as an interface between ourselves and experience. In many ways the self is the Tower. Edgar Allen Poe in “The City in the Sea” writes “from a proud tower in the town/Death looks gigantically down”. (For further information, consult your amygdala [link 1 | link 2 | link 3].)
Is there much more to say about the Tower? Of course!
The STAR
How many of us long for, or follow, a guiding star? Do we star in the drama of our own lives? Lucky star, rising star, star-crossed, shoot/aim for the stars — we know no lack of idioms. Has life starred certain experiences, talents, people, memories, etc. for our life-long obsession or dedication? A dis-aster is an ill-starred event. How much of our experience of imagination, emotion, vision and dream involves our starry or astral bodies?
As with the previous two arcana, this arcanum resonates in so many ways. Meditation on each of the arcana returns deepening insight, and the Star is no exception.
For Christians, associations with the Star of Bethlehem and the lore of the Magi reverberate strongly, while Revelation 12 depicts “a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars”.
Tolkien plays on this ancient cultural resonance in The Lord of the Rings with Gandalf’s recitation of a piece of lore linking Numenor with Minas Tirith in Gondor:
Tall ships and tall kings
Three times three,
What brought they from the foundered land
Over the flowing sea?
Seven stars and seven stones
And one white tree. (The Two Towers, Bk. 3/chapt. 11; “The Palantir”).
Again we see in the Card a nude figure with limbs — conscious links or connections — in more than one element. The eight eight-pointed stars connect with the seven heavens of Medieval lore, with the eighth, the region of fixed stars, above them. As a doubling of the elemental four, the Star is a higher octave of activity. Seven cards from the Hermit, it links to the cultivation of solitude and (spiritual) perception.
You might assume that reaching such an exalted state is the end of the journey. After all, Dante ends each of his three Books of the Divine Comedy — a book abounding in numerical and astrological symbolism — with reference to the stars. And the 33rd and final canto of Paradiso, the last of the three, closes like this:
ma già volgeva il mio disio e ’l velle
sì come rota ch’igualmente è mossa,
l’amor che move il sole e l’altre stelle.
but already my desire and will were moved,
like a wheel which equally/smoothly is moved/turned
(by) the love that moves the sun and the other stars.
I’m dancing with Tarot in this series, not aspiring to any profound system of interpretation, but skating with images across a frozen pond, juggling globes of fire, listening for the music the stars make overhead.
In this, as so often on this blog, I’m listening to bards here, rather than scholars. Recall Billy Collins’ wise “Introduction to Poetry” If you don’t know it, or haven’t read it recently, take a moment right now. Try it out, as I do frequently, as an antidote to too much right-brain-ness.
The HANGED MAN
So what does the Hanged Man, card 12 of the Major Arcana, represent? Odin? Jesus? Both? Neither?
This kind of question, one that assumes that if you can ask it, there’s a reasonable, logical, unambiguous answer to it, reflects a confusion of planes, categories, realities, etc., that we all fall into from time to time.
“But what does it mean?” looks like an innocent query, even though it’s often anything but. Yet we keep on asking, tossing the grenade, just like we keep on believing (for a short time, anyway) anyone with enough authority to state categorically, emphatically, beyond-a-shadow-of-a-doubt, once-and-for-all-time, that X “means” Y. (If X “really” meant Y, they’d be the same thing, and we wouldn’t be asking the question. Or we could simply all become goddess-devotees, knowing that “one thing becomes another, in the Mother, in the Mother”, and that certain questions just have to be un-asked, if we’re to get any sleep at all.)
Something’s going on with this hanging dude, or dudette. He or she has a “fire in the head”, and looks at surprising ease all inverted there, suspended on a tau-cross, like some gnostic St. Peter, who asked to be crucified upside-down, so as not to aspire to equal honor with his Master. (Invert that sh*t, says the imp in me.)
Then, too, we have the figure 4 the legs make, about which much ink has been spilled. (Run with half a dozen interpretations as long as they last, and report back to your cerebellum at the conclusion.)
Certainly I’m a hanged one, as are you — we all are, at least at times. In Matthews’ Arthurian deck, the card is the Wounded King, the ruler of a wasteland in need of healing and restoration.
W. B. Yeats of Golden Dawn fame knew this — the Tarot features largely in the Golden Dawn ritual and symbolism — and Yeats gave himself the magical name Daemon est Deus Inversus, abbreviated DEDI (which not too incidentally is Latin for “I gave”). Demon is God upside-down. Or vice versa. For more than you want to know about the name and its significance, here’s just one of the links Google will offer you, should you opt to enter the phrase (and you should, as a form of spiritual roulette) in that innocent-seeming search box:
Iamblichus’s doctrine that the immortal soul becomes mortal is puzzling for Platonic scholars. According to Iamblichus, the embodied soul not only becomes mortal; as human, it also becomes “alienated” (allotriōthen) from divinity. Iamblichus maintains that the alienation and mortality of the soul are effected by daemons that channel the soul’s universal and immortal identity into a singular and mortal self. Yet, while daemons alienate the soul from divinity they also outline the path to recover it. Iamblichus maintains that daemons unfold the will of the Demiurge into material manifestation and thus reveal its divine signatures (sunthēmata) in nature. According to Iamblichus’s theurgical itinerary, the human soul—materialized, alienated, and mortal—must learn to embrace its alienated and mortal condition as a form of demiurgic activity. By ritually entering this demiurgy the soul transforms its alienation and mortality into theurgy. The embodied soul becomes an icon of divinity.
Why are both Jesus and Satan called the “morning star” in the Bible, and both referred to as serpents? For we have Jesus making the arresting observation: “As Moses lifted up the serpent in the wilderness, so must the Son of Man be lifted up” (John 3:14). Here’s one of our challenges, then, to run through a series of metaphors: to lift up the serpent, to raise the kundalini, to recover the divine in our deeds, thoughts and words, to become, in Iamblichus’s words, an icon of divinity. Or you can scratch any interpretative itch with an Orthodox reading, or canonical understanding, and miss a good 9/10 of what it might possibly say to you.
All this, for a person in red tights, hanging upside down …
Take the card into contemplation. Hang for a while, and see what you learn. Far better, as I keep saying, what you discover on your own, than what you merely read here, words from another. Pointers, merely; fingers toward the Equinox moon. Transform, transform …
What needs inversion in my life? How are my values or outlook upside down? What can I see differently from a radically different stance? Will I let myself relax into such a changed awareness, or immediately “set myself to rights”? If I were Odin or Jesus, would I “do things differently”? If so, how?
DEATH
Like the Tower, Death and a few other cards manage to freak out a substantial number of people who work with the Tarot in its many guises.
“Death on a pale horse” comes riding straight outta scripture. (You can choose whether the background sun is rising or setting.) Figure out the banner Old Bony is carrying, and you might be on your way to insight. Death meditations are useful; there’s clear indication that at least some bardic initiations included them, and death-and-rebirth rituals help re-establish a healthier perspective than the ever-popular “life at all costs” obsession current in much of the West. Death, in spite of much bad advertising and spiritual teaching to the contrary, is not an “enemy” but a gateway, an arm of the spiral, a servant of life.
How apt that Death should have the number 13. (“Four” does similar duty in Japan and China, with the word for four a homonym for “death” or “death” [shi in Japanese, si in Mandarin Chinese]. Some Asian hotels go so far as to renumber their floors, avoiding the 4th altogether, just as we get all superstitious and tingly on Friday the 13th. “Friday the 4th” just doesn’t have the same feel at all.)
If you can put yourself into the landscape and know yourself as the Hanged Man, do the same with Death. And since there are other figures on the card, try out being the church official, pope or bishop, in front of Death’s horse.
In the Matthews’ Arthurian deck, this card is the Washer at the Ford, a harmonic of the Morrighan, the Goddess, the Dark Initiator.
What horse am I riding right now? What lies dead all around me? What am I killing by my insistence on my current identity? What needs to die in my life, so other things can be born?
TEMPERANCE
“… in the very torrent, tempest, and (as I may say) whirlwind of passion, you must acquire and beget a temperance that may give it smoothness”, says Hamlet. The figure suggests elemental transformation. In the whirlwind of passion, can I also find smoothness, equilibrium, balance?
Two-thirds of the way through the journey, the Fool has learned something about moderation — not narrowly “abstinence from alcohol” (unless that’s the form your particular practice of moderation needs to take), but something much more valuable. The angelic figure bears the elemental symbol of fire on its breast, and pours liquid from chalice to chalice, while standing with one foot on earth and one in water: all four elements present and working.
A curious and provocative insight from R. J. Stewart’s The Well of Light:
Do not forget, ever, that you are already Elementals. There is not one, but several of them, most likely a large complex number, within yourself. Our bodies are made of Water, Earth, Fire, and Air.
Our consciousness and energies are Elemental; that is, the philosophical or metaphysical concept of the Four Elements as relative states of motion and energy, but not limited to the modern idea of elements as defined in chemistry and physics. So, to find Elementals, we need look no further than our own bodies and moods. And, I propose, we should pay much more attention to the way our bodies and emotions interact with places and with weather changes.
And a prayer or visualization Stewart uses in many of his books, that I find helpful:
In the name of the Star Father, The Earth Mother, The True Taker, The Great Giver, One Being of Light.
How have I transformed — in spite of myself? What needs tempering in my life? What elemental presences can I honor and bring forward as keys to directions my life might beneficially take? What is this Equinox saying to my earth, my air, my fire and my water?
If the holy terrain between Druid and Christian calls to you, better your way than one belonging to another person that doesn’t fit you where you walk on your particular arm of the Spiral Journey. A week’s worth of your own meditations surpasses anything I can write here. These themes are suggestions, prompts, points of departure. They’re mine, and they may not be yours. Their use is as sparks, kindling, tinder, fuel, provocation. Your particular path may grow out of resistance or contradiction. Thus are (spiritual) muscles strengthened.
If you’ve (mostly) survived your adolescence, held down a job, learned to deal with roommates, siblings, coworkers, parents, teachers, traffic cops, jerks, (holy) Fools, the DMV, followed a dream, fell in love, lost a bet, failed at something, succeeded at something else, and arrived here, it’s pretty likely you’ve accumulated enough insight to learn something useful when looking at cards intended to evoke insight from your experiences! We can also never fully know how our words on such subjects may be exactly what another needs to hear.
The HERMIT
Hermits abound in world-wide lore and legend, running the gamut from hell-bound to holy. Depending on your temperament and the rebuffs that life generously doles out to all of us, you may find in the Hermit a kindred spirit, someone who chooses, as the French have it, reculer pour mieux sauter: “to draw back in order to make a better leap” back into the fray. Or eremitic withdrawal may become the theme for a lifetime, or a whole series of them. Plenty of secular examples come to mind as well, especially if you’re rich enough to build a life from your eccentricities, like billionaire Howard Hughes.
Modern examples include Thomas Merton, whose hermit tendencies can be summed up in the name of the monastic order he eventually joined: OCSO, the Order of Cistercians of Strict Observance, or Trappists. Not content with the already spartan nature of the Order, Merton withdrew further to a hermitage on the grounds of the monastery. His books and poems and increasing fame were one vital source of balance shaping his character into the wise monk, priest and author he slowly became.
J M Greer illustrates a Druid-focused model for practice just as potentially rigorous, especially for the solitary: the Gnostic Celtic Church. Greer highlights some of its distinctive features:
… the GCC does not train people for the standard American Protestant model of the clergy—a model that assigns to clergy the functions of providing weekly services to a congregation, “marrying and burying,” offering amateur counseling to parishioners, and pursuing political and social causes of one kind or another, and defines training for the ministry in terms of the same style of university education used by most other service professions.
This model evolved out of the distinctive social and theological requirements of American Protestant Christianity and has little relevance to other faiths, especially those that do not have the financial resources to support full-time ministers. It has nonetheless been adopted uncritically by a great many alternative religious traditions here in America. It was in response to the very poor fit between that model and the needs of a contemporary alternative religious movement that AODA [Ancient Order of Druids in America] chose to pursue an older model better suited to its own tradition and needs.
Instead of growing from a single and largely American Protestant model, the GCC focuses on what it calls the Rule of Awen, because
there is certainly a need for men and women who are willing to embrace a new monasticism centered on a personal rule: one in which the core principle of aligning the whole life with the spiritual dimensions of reality can express itself in forms relevant to the individual practitioner and the present age, in which a rich spiritual life supported by meaningful ceremonial and personal practice can readily coexist with whatever form of outward life is necessary or appropriate to each priest or priestess, and in which the practice of sacramental spirituality can be pursued apart from the various pathologies of political religion.
Greer always packs a lot in his sometimes academic prose: following Christ’s admonition, this means in short to “work out your own salvation with fear and trembling”. We say we want freedom, but how many of us trust our own inner guidance sufficiently to discern what is “necessary or appropriate”, and avoid the “pathologies of political religion”?
As always, the simplest and purest way contains with it the hard-earned wisdom of lifetimes. Greer lays out the central challenge we all face:
… find and follow your own Awen. Taken as seriously as it should be — for there is no greater challenge for any human being than that of seeking his or her purpose of existence, and then placing the fulfillment of that purpose above other concerns as a guide to action and life — this is as demanding a rule as the strictest of traditional monastic vows. Following it requires attention to the highest and deepest dimensions of the inner life, and a willingness to ignore all the pressures of the ego and the world when those come into conflict, as they will, with the ripening personal knowledge of the path that Awen reveals.
How many of us have even begun to recognize and creatively respond to all the myriad “pressures of the ego and the world”? (After all, this is much of what I’ve long been practicing in my own way, as recorded in this blog, and you have ample evidence here of the challenges one person has faced.)
The Matthews’ Arthurian deck depicts the Grail Hermit: “Neither Druid nor priest, as hermit he mediates the functions of both”.
Where is the “third element” in each of my life experiences? As neither pole of a binary, how does it serve both and thereby a greater whole?
The WHEEL of FORTUNE
The Wheel or Spiral, the lungo drom or long road of yearning of the Romani, the Wheel of Becoming in Hinduism, “what goes around comes around” of folk wisdom, all point to the circular nature of life and the resonances that our actions establish.
Or as the Lakota holy man Black Elk puts it,
Everything the power of the world does is done in a circle. The sky is round and I have heard that the earth is round like a ball and so are all the stars. The wind, in its greatest power, whirls. Birds make their nests in circles, for theirs is the same religion as ours. The sun comes forth and goes down again in a circle. The moon does the same and both are round. Even the seasons form a great circle in their changing and always come back again to where they were.
The life of a man is a circle from childhood to childhood, and so it is in everything where power moves.
Worldwide, this circle or wheel is also quartered, divided into four fields or domains or regions. Yes, it’s impossible to square the circle , and the link will lead you into exquisite mathematical detail why this is so — but using this holy glyph or mandala as a teaching and learning device, as a tool in ritual, is another order of response to such an intersection of worlds. What is materially impossible is — often — spiritually essential. Or to put it another way, walking a spiritual path means squaring the circle every single day. (Or if you seek a spiritual practice based in mathematics, check out this origami link.)
For more insights that can lead to a unique personal practice with sacred geometry, and not incidentally provide further rich linkages between their profound influence in both Druidry and Christianity, check out Michael Schneider’s A Beginner’s Guide to Constructing the Universe: Mathematical Archetypes of Nature, Art, and Science.
JUSTICE
In Matthews’ deck, the corresponding figure is Sovereignty: “our true self and the land are one”. The justice of this inner truth emerges in the great rebalancing that earth is currently experiencing, as the consequences of our past actions come home to us, and we begin to accept responsibility for them and to work off their effects. But we need not merely suffer them passively; we can work with them creatively for the purposes of transformation, which is what cause and effect are placed to afford to all who seek.
In the traditional deck, the figure is garbed and presented so that gender is not immediately clear. Latin justitia is a feminine noun, yet the figure of Justice as we have it here has a seated, balanced, imperial quality of the previous male figures in positions of traditional masculine power and authority.
As a further harmonic development of the Magician, Justice is a balanced expression of power: the upward right hand holds a sword, while the left grips a balance. The two pillars of manifestation again frame the seated figure, and a curtain conceals the region behind it.
What has been lost on the way to Justice? How is its expression still incomplete, indicating the need for further growth and unfoldment? What does rebalancing and attainment of a new equilibrium conceal or distract me from? What further currents of change and transformation remain that ask for my attention, and allow me to anticipate future expressions of Justice, of balance and recalibration and harmonizing?
The triple crown of Justice can be seen to reflect the magical current inherent in groups of three, and in the physical universe. The card commentary for this card in Matthews’ Arthurian deck includes this observation: “…the Goddess of Sovereignty gives three drinks from her cup, purveying the white milk of fostering, the red drink of lordship and the dark drink of forgetfulness. These she offers successively in her aspects as Foster-Mother, Consort and Renewer”.
“Mother, foster me to your service. Consort, empower us both through our union. Renewer, ease me as I strive to fulfill my vows to you”.
This post is a step away for an interval from the ongoing Major Arcana series. As I let the energies of that series percolate a little before moving on with it, I wanted to acknowledge two things.
Raven Grimassi, 1951-2019
First, a death. Pagan scholar and author Raven Grimassi passed on March 10 at 67. With some 20 books to his credit, Grimassi’s influence spread through his writings, but also through his many animated workshops. An enlivened teacher, he held on to a love of learning and growing throughout his life, as I witnessed firsthand while attending one of his workshops (shortly after publication of his Cauldron of Memory: Retrieving Ancestral Knowledge and Wisdom) which continues to contribute to my own path.
In particular, his work with sound as an “access technique” to other realms inspired me and many others. My own experiences with the potency of what I’ve called the “Cauldron Sound” feature in my workshops at MAGUS and in blogposts here.
Raven, may the next spiral of the Long Journey bring you joy, wonder and more growth.
In this era of unsettling change, raw emotion, and anxious uncertainty, we deeply need reminders to return again and again to what sustains and feeds us, and helps us live more richly and fully. Future historians might call our time an “Age of Distraction”, so susceptible are we to the incessant clamor all around for our attention, time and energy. The whole world is now Spinal Tap — turned up to 11 all the time.
Because such voices no longer cease of their own accord, even for brief intervals, in our endlessly wired-and-tired day, it’s on us to choose to turn them off from time to time, if we value our own spiritual integrity or wholeness. For we don’t get the “whole story” if we listen to the loudest voices, though it’s natural to pick them out first from all the shouting. Long ago the Wise alerted us to the “still small voice” that greets us at the borders of our own inner spaces, and points us toward things of much greater value and benefit to us than most of the outer rumor, that old word that once meant “noise”, but has become an unsubstantiated report or story.
The older meaning of “noise”, however, still fits — fits more than ever. Any practice that carves out quiet for us, that encourages reflection, that lets the small inward voice reach us to warm and heal and advise us, is one to hold on to and cherish. Indeed, if we don’t assert our own reality, to turn a phrase only a little, then “rumor has it”. We abdicate when we listen unprepared, unequipped. We start to doubt ourselves, an often much worse doubt than suspicion of anything or anyone else. We no longer trust what we know to be valid and true and constructive. We close our eyes to the dawn, then stumble in the dark.
Instead, in the words of OBOD ritual (insert your own to taste):
Let the four directions be honored, and let the gateways of the Quarters be opened, that power and radiance might enter our circle for the good of all beings.
One of the vital perspectives that much modern Druidry can offer to Christian practice is an experimental approach. Rather than depending so heavily on creeds and affirmations of faith, we can approach statements in Christian and Jewish scripture as pointers toward practice, as statements of spiritual reality and awareness if certain prerequisites of practice, wisdom and experience are met, statements clothed in symbolism and perspectives than can sometimes translate to other terms and forms without diminution.
Here’s one such example: “Blessed is the one who comes in the name of the Lord” (Ps. 118:26). Whether as a statement of faith or a lyric in a praise-song, it often elicits a comforting familiarity. But why not take it for a spin? Because it offers at least three points for exploration, contemplation and practice, we could treat it as a Druid-Christian triad, and contemplation seed:
What does “blessed” mean?
What does it mean to “come in someone’s name”?
And what is the “name of the Lord”?
Coupled with this last question is a verse often directed at non-Christians, and prominent in mission-oriented publications and preaching: “At the name of Jesus every knee will bow” (Phil. 2:10). As a form of submission to a specific deity, a Christian islam, its initial meaning seems quite clear. All will acknowledge this particular form of deity, the Christian Son of God, in a future realization of his divine sovereignty. It’s a state yet to be fulfilled. Islam as an Arabic word for Muslims also conveys a sense of free will — it’s a voluntary submission. Of course, this is one form of understanding, and it need not be the only or even the most potent in effecting spiritual change.
Put these formulations in Druid terms and you might have recognition that the natural order has a discernible flow, a direction, an energy that humans resist and abuse only at an accumulating cost to themselves and to every other being around them. (Some have called this Lady Sovereignty. It’s possible also to see in this a version the Shekhinah, the presence of God.) Blessedness in these terms is fruitfulness, harmony, awareness, creativity — all arising from recognition of and concord with the underlying flow inherent in nature, and an ability to navigate life changes successfully. If we come in the name of spirit, or bring with us and our decisions and actions such blessedness or harmonious accord with the flow of nature, it’s often quite apparent to others. A yogi may do this while performing the Salutation to the Sun. Or the Druid sitting under a tree to rest against its trunk and watch the sunrise, may acknowledge the presence of something far greater than the human self in these things. A human on a “path with heart” already carries an awareness of spiritual presence of which he or she is an integral part of the whole.
It’s then that we recognize, at least in our better moments, the authority of those who act from love and wisdom, not from selfishness or shortsighted opportunism. And the sages among us, whether Druid or Christian, both or neither, may not always be those publishing the books and presenting at major Gatherings or Conferences. It may be the white-haired gardener praying in the neighboring pew, face aglow with reverence for the goddess in Mary, or Mary in the goddess, fingernails still darkened with the good earth under them. It may be the quiet young Christian woman calling the quarters at the next Equinox ritual, honoring the four archangels, or the four gospel evangelists, or the four creatures of Celtic or some other tradition, welcoming the presence of spirit in so many varied guises and forms permeating every quarter of the compass.
In the experience of spiritual abundance and presence, then, Christian and Druid may find another meeting-place.
/|\ /|\ /|\
The LOVERS
The next Tarot image in our series is the Lovers. (The Matthews’ Arthurian image is of the White Hart, with the lovers Enid and Geraint in the foreground.) So much history and cultural change and commentary surrounds the myth or wisdom story of Adam and Eve that “It is difficult/to get the news from poems/”, as William Carlos Williams says in “Asphodel, That Greeny Flower”, “yet men die miserably every day/for lack/of what is found there”. The story may simply not “work” for many of us as it once did.
We can read the card in one way as depicting the non-physical spiritual force that expresses itself in female and male, in all living things, both green and fruiting, and flaming with energy, as in the fiery-leaved tree behind the male figure. To get caught by stereotypical associations, or to balk at “masculine” or “feminine” attributes, is to miss the polarities inherent in the natural world that allow for manifestation — multiple polarities we all carry within each of us. In one sense, then, nature has always been “gender-fluid”: we know of species that can change genders at need, or at different points in their life cycle.
What do I really love? Does that love build or tear down my life? How does love help me manifest? What polarities work through me with particular force or energy? What ones might I beneficially welcome and work with in my life? Where else can I love?
The CHARIOT
The Chariot in the traditional deck (or Prydwen, Arthur’s ship of journeying in the Arthurian deck) closes out the first of the three rows of the Major Arcana (if we lay out the cards in 3 rows of 7, with the Fool or Seeker as the one who moves through each on the Journey). And again, in one traditional interpretation, this first row has to do with the maturing self, the personal, the exploration and development of capacities and potencies of the individual.
The notes for Prydwen from the Arthurian deck: “the Otherworldly journey which is undertaken by all seekers, so that the inner life becomes the basis for a sound outer life” (pg. 36).
One applicable Biblical verse here comes from Luke 6:45: “Good people bring good things out of the good stored up in their hearts, and evil people brings evil things out of the evil stored up in their hearts. For the mouth speaks what the heart is full of”. I don’t know about you, but this is a useful barometer for where my attention is. And with luck, you have a friend or partner who calls you on your crap. “What did you just say?!” That’s when I learn, if I don’t already know, that I’m (once again) out of balance and have some work to do.
What is happening in my inner worlds? What is my foundation? Where can I continue to work to shore up that foundation for both my inner and outer lives? What cycle has ended so that I can finally see and account for its shape and influence, and now return to polish what was rough-hewn? How is my storehouse? What am I harvesting from the old cycle as I begin a new one?
STRENGTH
“The Sovereign Lord is my strength! He makes me as surefooted as a deer, able to tread upon the heights” (Habakkuk 3:19). Or to be gender-fluid about it: “I honor Lady Sovereignty who strengthens me here on this Land where the deer runs, showing me how to walk the heights with sure feet”.
On this new octave, the second row of 7, Strength shares the infinity symbol with the Magician. You could say she is the Magician — renewed, re-imagined.
Is this coercion or forcing of our elemental and instinctual selves by our “higher” selves? Is it conscious awareness of the vitality of both, thereby making it our own more fully and completely — a union, where formerly there were two? The Lady here has greens and flowers for a belt — she is not separate from nature. Is she shaping and directing that animal strength?
Perhaps we can see one theme run from the prophet’s words that open this section to Whitman’s words in “The Beasts” in his Song of Myself:
I think I could turn and live with animals, they are so placid
and self-contain’d.
I stand and look at them long and long.
They do not sweat and whine about their condition,
They do not lie awake in the dark and weep for their sins,
They do not make me sick discussing their duty to God,
Not one is dissatisfied, not one is demented with the mania of
owning things,
Not one kneels to another, nor to his kind that lived thousands
of years ago,
Not one is respectable or unhappy over the whole earth.
So they show their relations to me and I accept them,
They bring me tokens of myself, they evince them plainly in
their possession.
In some ways Whitman describes Paradise, a recognition of inner sovereignty that needs no one kneeling to another. The “self” that contains the beasts is the sovereignty of the Land, the Whole that cradles each individual in its arms, if we opt for the language of personification. Here it is animals leading the way in showing tokens of this “self”, already in their “possession”.
Is this what the Strength figure is trying to discover, or does achieve? Does Strength learn that strength unaided is insufficient — a realization that is the beginning of wisdom? It is our inner strength that issues forth in animals, too — our shared link, not one to dominate the other.
So I can do no better than end this post with words from U. K. LeGuin’s great Earthsea trilogy. Her magician or mage Ged learns from his own experience with beasts:
… in that wisdom Ged saw something akin to his own power, something that went as deep as wizardry. From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees.