Autumn Equinox 2016

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late afternoon on our 3-mi loop-walk

The seasonal festivals may start to come upon you like the visits of old friends. You don’t need to be anything other than who you are for them, of course. Fat chance, anyway, of sustaining even a polite deception with someone who knows you this well. I can shove the unsorted laundry into a closet, ready the guest room with fresh sheets, maybe offer a vase of goldenrod and queen anne’s lace this time of year. Clear the top of a dresser or nightstand and set out a few found objects to share: quartz or shale or mica from a recent hike, driftwood from a stream or beach walk. Such gestures never go to waste. They welcome the guest and lift the mood of the host, if lifting is needed.

Sometimes it is. We felt a seasonal shift here in southern Vermont about a week ago, a subtle movement of energies and weather and light as they whisper together and ease us toward the equinox, the evocatively named Alban Elfed, “Light on the Water.” The birds knew it, too — maybe something in their song clued us in to pay attention in the first place.

Of course the linguist in me tries to quibble that neither word “actually means” light or water, but instead simply the quotidian equinox (of) autumn, but then rummaging around the OBOD website I’m caught up in wonder by Coifi’s observations in a lovely post:

This is the Feast of the Autumn Equinox. The Light of the Sun in the Wheel of the Year stands in the West, in the Place of balance between the Light and the Darkness. This is a time of the Great Tides. This is the Gateway of the Year.

This Feast is known by many names to many people, for the Truth is reflected from many mirrors. It has been celebrated as Alban Elfed and Harvest. Our ancestors called it by names long forgotten, and our children will call it by names as yet unconceived.

So it is that literal gets overtaken by the figurative, just as speech does by song. Or not overtaken, not exactly. Whether I let them or not, they start dancing, each bowing to the other. Here is one of the Earth’s truths that says listen. The ancestors gave it names, as do we with our Alban Elfed and Mabon and Harvest Home, and as will our descendants. Each will know it, both the waning light, and the promise of Return.

A further quibble that the festivals are “just modern inventions” dissolves when you can point to old stones and other markers: the earth, again, is a witness here. From the plains of Wiltshire with its over-famous Henge to a hilltop in southern Ohio with its Serpent Mound, the inhabitants of many lands have been drawn to find ways to mark off days and seasons with structures whose physical remains simultaneously hush and awaken the mind.

2000px-wheel_of_the_year-svgFor “light on the water,” as it turns out to my now-placated left brain, is indeed apt, a festival that celebrates a brief balance of light and dark in the quarter of the ritual year that belongs to the west and to water. “Light on the water” brings with it a twilit mood, a sunset reminder of the reality of life on earth, both dark and bright.

For the whole planet, northern and southern hemispheres both, experiences a balance of light and dark before the days continue to shorten or lengthen, depending on where you stand. The time, friends, is a whole-planet festival. Come! Join in!

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Images: western light in southern Vermont; Ritual Wheel of the Year.

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